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Critical approaches to Isabel Allende's novels

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  • 201 stron
  • 8 godzin czytania

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Since the appearance of Isabel Allende's first novel, La casa de los espíritus ( The House of the Spirits ) in 1982 and its subsequent translations into several languages, readers world-wide have been fascinated with her refreshing depiction of Latin American reality and the role of women in its development. The publication of De amor y de sombra ( Of Love and Shadows ) in 1984 and of Eva Luna ( Eva Luna ) in 1987 have drawn more well deserved attention from readers and critics. This timely book, explores Allende's three novels, providing much needed criticism in English and Spanish. The essays examine her novels from a broad range of perspectives, ranging from the political control to the power of words, from direct testimony to fictional story-telling, from symbolism in characters' names to the meaning of dress and attire, from the picaresque tradition to the parodic writing in contemporary Latin American Literature.

Zakup książki

Critical approaches to Isabel Allende's novels, Sonia Riquelme Rojas

Język
Rok wydania
1991
Oprawa
(twarda)
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Tytuł
Critical approaches to Isabel Allende's novels
Język
angielski
Wydawca
Lang
Rok wydania
1991
Oprawa
twarda
Liczba stron
201
ISBN10
0820414956
ISBN13
9780820414959
Seria
Ocena
4 z 5
Opis
Since the appearance of Isabel Allende's first novel, La casa de los espíritus ( The House of the Spirits ) in 1982 and its subsequent translations into several languages, readers world-wide have been fascinated with her refreshing depiction of Latin American reality and the role of women in its development. The publication of De amor y de sombra ( Of Love and Shadows ) in 1984 and of Eva Luna ( Eva Luna ) in 1987 have drawn more well deserved attention from readers and critics. This timely book, explores Allende's three novels, providing much needed criticism in English and Spanish. The essays examine her novels from a broad range of perspectives, ranging from the political control to the power of words, from direct testimony to fictional story-telling, from symbolism in characters' names to the meaning of dress and attire, from the picaresque tradition to the parodic writing in contemporary Latin American Literature.