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Farewells to Plasma

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Tato kniha byla vydána českým nakladatelstvím Twisted Spoon Press, které sídlí v Praze a vydává díla českých a slovanských autorů v anglickém jazyce. Oficiální anotace nakladatele: Farewells to Plasma is a selection of short stories and prose from the three volumes Goerke has published in Polish. Few Polish prose writers of the past ten years have attracted as much delight and bewilderment as Natasza Goerke. Her stories, which are commonly fastened with predicates like “surreal,” “grotesque,” “ludicrous,” “ironic,” and “extravagant,” call to mind the absurdist and parabolic work of Daniil Kharms, Slawomir Mrozek, Clarice Lispector, and Antonio Tabucchi. Although her reluctance toward straightforward narration, her refusal of any "responsibility" on the part of the writer to provide metaphysical product for the national masses, and her involvement with esoteric perspectives such as Buddhism and Asian cultures generally, all have caused less avant-garde-friendly critics to shake their heads in consternation, her erudition and extremely fine feeling for the Polish language have earned her recognition from all quarters as one of the most innovative and important voices of the younger generation.

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Farewells to Plasma, Natasza Goerke

Język
Rok wydania
2001
Oprawa
(miękka)
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Tytuł
Farewells to Plasma
Język
angielski
Rok wydania
2001
Oprawa
miękka
ISBN10
8086264157
ISBN13
9788086264158
Seria
Kategorie
Pierwsze wydanie
2001
Oryginalna nazwa
Pożegnania plazmy, Księga pasztetów, 47 na odlew
Ocena
3,85 z 5
Opis
Tato kniha byla vydána českým nakladatelstvím Twisted Spoon Press, které sídlí v Praze a vydává díla českých a slovanských autorů v anglickém jazyce. Oficiální anotace nakladatele: Farewells to Plasma is a selection of short stories and prose from the three volumes Goerke has published in Polish. Few Polish prose writers of the past ten years have attracted as much delight and bewilderment as Natasza Goerke. Her stories, which are commonly fastened with predicates like “surreal,” “grotesque,” “ludicrous,” “ironic,” and “extravagant,” call to mind the absurdist and parabolic work of Daniil Kharms, Slawomir Mrozek, Clarice Lispector, and Antonio Tabucchi. Although her reluctance toward straightforward narration, her refusal of any "responsibility" on the part of the writer to provide metaphysical product for the national masses, and her involvement with esoteric perspectives such as Buddhism and Asian cultures generally, all have caused less avant-garde-friendly critics to shake their heads in consternation, her erudition and extremely fine feeling for the Polish language have earned her recognition from all quarters as one of the most innovative and important voices of the younger generation.