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Money and gender in the American novel, 1850 - 2000

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Perhaps because money is frequently considered gender-neutral, studies of the nexus between financial resources, masculinities, and femininities in fiction have been rare. Yet, economics are a key aspect of gender constructions; conversely, the language of money is thoroughly gendered. This study traces the representation of these interrelations in U. S.-American literature between 1850 and 2000. After historicizing the topic, it analyzes 35 novels with a focus on sexuo-economic relations that are more flexible and less hierarchical than hegemonic constructions. It simultaneously addresses the relationship between financial and cultural capital in terms of subject matter as well as style. Attempting to reflect the ethnic and cultural diversity of U. S.-American literature, the text chronicles the gradual revision of the ideology of separate spheres in which making money was an exclusively male task, while also documenting its tenacity at least in contemporary masculinity constructions.

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Money and gender in the American novel, 1850 - 2000, Eva Boesenberg

Język
Rok wydania
2010
Oprawa
(twarda)
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Tytuł
Money and gender in the American novel, 1850 - 2000
Język
angielski
Rok wydania
2010
Oprawa
twarda
ISBN10
3825357325
ISBN13
9783825357320
Seria
Opis
Perhaps because money is frequently considered gender-neutral, studies of the nexus between financial resources, masculinities, and femininities in fiction have been rare. Yet, economics are a key aspect of gender constructions; conversely, the language of money is thoroughly gendered. This study traces the representation of these interrelations in U. S.-American literature between 1850 and 2000. After historicizing the topic, it analyzes 35 novels with a focus on sexuo-economic relations that are more flexible and less hierarchical than hegemonic constructions. It simultaneously addresses the relationship between financial and cultural capital in terms of subject matter as well as style. Attempting to reflect the ethnic and cultural diversity of U. S.-American literature, the text chronicles the gradual revision of the ideology of separate spheres in which making money was an exclusively male task, while also documenting its tenacity at least in contemporary masculinity constructions.