Bookbot

Linguistic aspects of verbal humor in stand-up comedy

Parametry

  • 449 stron
  • 16 godzin czytania

Więcej o książce

This study explores how stand-up comedians organize and perform their material to create humor, elicit laughter, and engage their audiences. It highlights the audience's crucial role in shaping comedians' presentations. To provide authentic material, performances by Jerry Seinfeld and Steven Wright were transcribed and analyzed. The creation of humor in stand-up is viewed as a blend of various linguistic features, including wordplay, hyperbole, timing, and paralinguistic choices. Comedians also develop distinct stage personas and unique performance styles. Spontaneity and flexibility emerge as essential traits for successful performances. The analysis of these two contrasting comedians affirms that effective humor does not rely on a specific persona or style but rather on the comedian's use of diverse linguistic elements and the incongruity revealed in punch lines. This study offers a linguistic perspective on humor and contributes to discourse analysis, particularly regarding features such as repetitions, discourse markers, disfluencies, and intonation.

Zakup książki

Linguistic aspects of verbal humor in stand-up comedy, Jeannine Schwarz

Język
Rok wydania
2010
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

Nikt jeszcze nie ocenił.Oceń

Tytuł
Linguistic aspects of verbal humor in stand-up comedy
Język
angielski
Wydawca
Sierke
Rok wydania
2010
Oprawa
miękka
Liczba stron
449
ISBN10
3868442502
ISBN13
9783868442502
Seria
Opis
This study explores how stand-up comedians organize and perform their material to create humor, elicit laughter, and engage their audiences. It highlights the audience's crucial role in shaping comedians' presentations. To provide authentic material, performances by Jerry Seinfeld and Steven Wright were transcribed and analyzed. The creation of humor in stand-up is viewed as a blend of various linguistic features, including wordplay, hyperbole, timing, and paralinguistic choices. Comedians also develop distinct stage personas and unique performance styles. Spontaneity and flexibility emerge as essential traits for successful performances. The analysis of these two contrasting comedians affirms that effective humor does not rely on a specific persona or style but rather on the comedian's use of diverse linguistic elements and the incongruity revealed in punch lines. This study offers a linguistic perspective on humor and contributes to discourse analysis, particularly regarding features such as repetitions, discourse markers, disfluencies, and intonation.