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Ján Mančuška, absent

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  • 120 stron
  • 5 godzin czytania

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Born in Bratislava in 1972, Ján Mančuška grew up in Prague, where he has lived since 1978. He studied in Prague at the Academy of Fine Arts (1991-1998). He has been a member of the group BJ (Bezhlavy Jezdec/Headless Horseman) since 1997. Ján Mancuska's work has been featured in exhibitions at the National Gallery, Veletrzni Palac in Prague; in „Manifesta 4“ in Frankfurt, Germany; at the Neue Berliner Kunstverein in Berlin; and in the 8th Baltic Triennial of International Art at the Center for Contemporary Art in Vilnius, Lithuania. He also occupied the Czech Pavillion at the Venice Biennale in 2005. * * Mancuska's installations were first made with the peripheral material of civilization (such as Q-tips, plastic bags, straw, paper, soap or wax) and his interest in the „authenticity“ of production relates to places with a strongly emotional-social charge (kitchens, bathrooms, housing projects or week-end cottages to name a few). Lately his approach has become slightly more objective—through the use of language in site-specific installations. Cutting texts into a wall or displaying a story within the space, the artist creates a tension between reading and seeing, narrative and painting, the personal and public space. * * Published as the third volume of the series „Tranzit,“ edited by Vít Havránek and focusing on Central and Eastern Europe artists.

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Ján Mančuška, absent, Ján Mančuška

Język
Rok wydania
2006
Oprawa
(miękka)
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Tytuł
Ján Mančuška, absent
Język
angielski
Rok wydania
2006
Oprawa
miękka
Liczba stron
120
ISBN10
3905701766
ISBN13
9783905701760
Seria
Tagi
Ocena
5 z 5
Opis
Born in Bratislava in 1972, Ján Mančuška grew up in Prague, where he has lived since 1978. He studied in Prague at the Academy of Fine Arts (1991-1998). He has been a member of the group BJ (Bezhlavy Jezdec/Headless Horseman) since 1997. Ján Mancuska's work has been featured in exhibitions at the National Gallery, Veletrzni Palac in Prague; in „Manifesta 4“ in Frankfurt, Germany; at the Neue Berliner Kunstverein in Berlin; and in the 8th Baltic Triennial of International Art at the Center for Contemporary Art in Vilnius, Lithuania. He also occupied the Czech Pavillion at the Venice Biennale in 2005. * * Mancuska's installations were first made with the peripheral material of civilization (such as Q-tips, plastic bags, straw, paper, soap or wax) and his interest in the „authenticity“ of production relates to places with a strongly emotional-social charge (kitchens, bathrooms, housing projects or week-end cottages to name a few). Lately his approach has become slightly more objective—through the use of language in site-specific installations. Cutting texts into a wall or displaying a story within the space, the artist creates a tension between reading and seeing, narrative and painting, the personal and public space. * * Published as the third volume of the series „Tranzit,“ edited by Vít Havránek and focusing on Central and Eastern Europe artists.