Bookbot

Stefan Kiełsznia, Ulica Nowa 3

Parametry

Więcej o książce

In the mid-1930s, Polish photographer Stefan Kiełsznia captured five streets in Lublin's Jewish quarter, documenting the lower levels of buildings filled with small bars, shops, and workshops. His detailed images reveal shop displays and hand-painted signs, alongside the faces of hurried passersby, showcasing their clothing and movements. This vivid portrayal of everyday life creates a unique atmosphere in each photograph, making Kiełsznia’s series an invaluable record of Polish-Jewish life just before the Holocaust. The publication 'Ulica Nowa 3', initiated by artist Ulrike Grossarth, serves as a comprehensive catalogue of Kiełsznia's work, presenting all 145 surviving images in print for the first time. Accompanying essays provide insights into the historical context of these photographs and the rich Jewish history of Lublin, enhancing the viewer's understanding of the captured moments and the significance of this 'record of the everyday.'

Zakup książki

Stefan Kiełsznia, Ulica Nowa 3, Piotr Adamczyk

Język
Rok wydania
2011
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

Nikt jeszcze nie ocenił.Oceń

Tytuł
Stefan Kiełsznia, Ulica Nowa 3
Język
polski
Rok wydania
2011
Oprawa
twarda
ISBN10
3940064157
ISBN13
9783940064158
Seria
Tagi
Opis
In the mid-1930s, Polish photographer Stefan Kiełsznia captured five streets in Lublin's Jewish quarter, documenting the lower levels of buildings filled with small bars, shops, and workshops. His detailed images reveal shop displays and hand-painted signs, alongside the faces of hurried passersby, showcasing their clothing and movements. This vivid portrayal of everyday life creates a unique atmosphere in each photograph, making Kiełsznia’s series an invaluable record of Polish-Jewish life just before the Holocaust. The publication 'Ulica Nowa 3', initiated by artist Ulrike Grossarth, serves as a comprehensive catalogue of Kiełsznia's work, presenting all 145 surviving images in print for the first time. Accompanying essays provide insights into the historical context of these photographs and the rich Jewish history of Lublin, enhancing the viewer's understanding of the captured moments and the significance of this 'record of the everyday.'