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Donkey in the sea before us

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  • 56 stron
  • 2 godziny czytania

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“Donkey in the Sea before Us is a marriage of poetry and water-colour portraits of the boy/puppet, who is on his way to becoming a human” Jim Dine This book of new water-colours by Jim Dine continues his life-long obsession with the character of Pinocchio. Dine first encountered Pinocchio through Disney’s acclaimed animated film which he saw as a child in 1940, and later through Carlo Collodi’s original text. Says Dine: “I have for many years been able to live through the wooden boy. His ability to hold the metaphor in limitless ways has made my drawings, paintings and sculpture of him richer by far. His poor burned feet, his misguided judgment, his vanity about his large nose, his temporary donkey ears all add up to the real sum of his parts. In the end it is his great heart that holds me. I have carried him on my back like landscape since I was six years old.” Born in 1935 in Cincinnati, Ohio, Jim Dine is a prolific painter, draughtsman, print-maker and photographer. Initially associated with the Pop movement, Dine’s career spans over forty years and his work is held in numerous private and public collections. His books with Steidl include Birds (2001), The Photographs, so far (2003) and Hot Dream (52 Books) (2008).

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Donkey in the sea before us, Jim Dine

Język
Rok wydania
2013
Oprawa
(twarda)
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4,0
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2 Ocena

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Tytuł
Donkey in the sea before us
Język
angielski
Autorzy
Jim Dine
Wydawca
Steidl
Rok wydania
2013
Oprawa
twarda
Liczba stron
56
ISBN10
3869304510
ISBN13
9783869304519
Seria
Ocena
4 z 5
Opis
“Donkey in the Sea before Us is a marriage of poetry and water-colour portraits of the boy/puppet, who is on his way to becoming a human” Jim Dine This book of new water-colours by Jim Dine continues his life-long obsession with the character of Pinocchio. Dine first encountered Pinocchio through Disney’s acclaimed animated film which he saw as a child in 1940, and later through Carlo Collodi’s original text. Says Dine: “I have for many years been able to live through the wooden boy. His ability to hold the metaphor in limitless ways has made my drawings, paintings and sculpture of him richer by far. His poor burned feet, his misguided judgment, his vanity about his large nose, his temporary donkey ears all add up to the real sum of his parts. In the end it is his great heart that holds me. I have carried him on my back like landscape since I was six years old.” Born in 1935 in Cincinnati, Ohio, Jim Dine is a prolific painter, draughtsman, print-maker and photographer. Initially associated with the Pop movement, Dine’s career spans over forty years and his work is held in numerous private and public collections. His books with Steidl include Birds (2001), The Photographs, so far (2003) and Hot Dream (52 Books) (2008).