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Commencing his career in the 1950s as a self-taught photographer working primarily for the gay underground Zurich club and magazine Der Kreis, Karlheinz Weinberger (1921-2006) took candid shots of lovers, friends and strangers on the street with an overt erotic investment in his subjects. He soon developed a fixation with the working-class youth culture known as the "Halbstark" (or "half strong"). Its members demonstrated their anti-establishment stance with embellished outfits of denim and leather, in an exaggerated and homemade version of the popularized American bad-boy style of the time. In his stark, posed photographs of these young rebels, Weinberger focuses on individual figures, exploring both a personal erotic obsession and the cultural symbolism of blue jeans, whose scarcity in post war Switzerland implied not just a fashion statement but a badge of pride. This publication reproduces a rare portfolio of these works that Weinberger designed himself in the mid-1950s.
Zakup książki
Jeans, Karlheinz Weinberger
- Język
- Rok wydania
- 2011
- Oprawa
- (twarda)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Jeans
- Język
- angielski
- Autorzy
- Karlheinz Weinberger
- Rok wydania
- 2011
- Oprawa
- twarda
- Liczba stron
- 55
- ISBN10
- 0920293859
- ISBN13
- 9780920293850
- Seria
- Tagi
- Ocena
- 3 z 5
- Opis
- Commencing his career in the 1950s as a self-taught photographer working primarily for the gay underground Zurich club and magazine Der Kreis, Karlheinz Weinberger (1921-2006) took candid shots of lovers, friends and strangers on the street with an overt erotic investment in his subjects. He soon developed a fixation with the working-class youth culture known as the "Halbstark" (or "half strong"). Its members demonstrated their anti-establishment stance with embellished outfits of denim and leather, in an exaggerated and homemade version of the popularized American bad-boy style of the time. In his stark, posed photographs of these young rebels, Weinberger focuses on individual figures, exploring both a personal erotic obsession and the cultural symbolism of blue jeans, whose scarcity in post war Switzerland implied not just a fashion statement but a badge of pride. This publication reproduces a rare portfolio of these works that Weinberger designed himself in the mid-1950s.


