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Six canonical projects by Rem Koolhaas

Essays on the History of Ideas

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  • 370 stron
  • 13 godzin czytania

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Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Architecture Prize for the year 2000. This book, which builds on six canonical Koolhaas projects, traces the discursive practice behind the design methods used by Koolhaas and his office OMA. It uncovers recurring key themes—such as wall, void, montage, trajectory, infrastructure, and shape—that have structured this design discourse over the span of Koolhaas's oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles manifest in other works by Koolhaas as both practical re-applications and further elaborations. In addition to Koolhaas's individual genius, these textual and material layers are accounted for shaping the very context of his work's relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which Koolhaas has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas.

Zakup książki

Six canonical projects by Rem Koolhaas, Ingrid Böck

Język
Rok wydania
2015
Oprawa
(miękka),
Stan książki
Dobry
Cena
89,15 zł

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Tytuł
Six canonical projects by Rem Koolhaas
Podtytuł
Essays on the History of Ideas
Język
angielski
Wydawca
jovis
Rok wydania
2015
Oprawa
miękka
Liczba stron
370
ISBN10
3868592199
ISBN13
9783868592191
Seria
Ocena
4,5 z 5
Opis
Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Architecture Prize for the year 2000. This book, which builds on six canonical Koolhaas projects, traces the discursive practice behind the design methods used by Koolhaas and his office OMA. It uncovers recurring key themes—such as wall, void, montage, trajectory, infrastructure, and shape—that have structured this design discourse over the span of Koolhaas's oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles manifest in other works by Koolhaas as both practical re-applications and further elaborations. In addition to Koolhaas's individual genius, these textual and material layers are accounted for shaping the very context of his work's relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which Koolhaas has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas.