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The Naked Portrait : 1900 to 2007

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This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer's ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them

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The Naked Portrait : 1900 to 2007, Martin Hammer

Język
Rok wydania
2007
Oprawa
(miękka)
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Metody płatności

3,5
Dobra
4 Ocena

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Tytuł
The Naked Portrait : 1900 to 2007
Język
angielski
Rok wydania
2007
Oprawa
miękka
ISBN10
1903278953
ISBN13
9781903278956
Seria
Ocena
3,5 z 5
Opis
This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer's ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them