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Portraits in fiction

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A remarkable, sumptuously illustrated exploration of the links between fiction, writers of fiction and portraits -- by the acclaimed Booker Prize winner. Portraits seem the opposite of fiction, fixed in time and space, not running with the curve of a story or a life. Yet since the birth of the novel, writers have been fascinated by portraits as icons, as motifs, as images of character and evocations of past time. A.S. Byatt delves into the complex relations between portraits and characters, and between portraits and novels as whole works of art. Her authors range from Henry James to Iris Murdoch, her artists from Holbein to Botticelli, Manet to the present day. She looks at the way writers use portraits to conjure up the past, as in Ford Madox Ford’s The Fifth Queen and Virginia Woolf’s Orlando. She explores their erotic use, the idea of painting as a sexual act, full of danger. And she examines the creation of fictional portrait painters by writers like Balzac and Zola, whose writing was closely linked, in different ways, to the art of Cézanne. A feast for the eye and for the imagination, Portraits in Fiction is a remarkable and immensely enjoyable exploration of the marriage of two great genres.

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Portraits in fiction, A. S. Antonia Susan Byatt

Język
Rok wydania
2002
Oprawa
(miękka)
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Metody płatności

3,7
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14 Ocena

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Tytuł
Portraits in fiction
Język
angielski
Wydawca
Vintage
Rok wydania
2002
Oprawa
miękka
Liczba stron
112
ISBN10
0099429845
ISBN13
9780099429845
Seria
Ocena
3,65 z 5
Opis
A remarkable, sumptuously illustrated exploration of the links between fiction, writers of fiction and portraits -- by the acclaimed Booker Prize winner. Portraits seem the opposite of fiction, fixed in time and space, not running with the curve of a story or a life. Yet since the birth of the novel, writers have been fascinated by portraits as icons, as motifs, as images of character and evocations of past time. A.S. Byatt delves into the complex relations between portraits and characters, and between portraits and novels as whole works of art. Her authors range from Henry James to Iris Murdoch, her artists from Holbein to Botticelli, Manet to the present day. She looks at the way writers use portraits to conjure up the past, as in Ford Madox Ford’s The Fifth Queen and Virginia Woolf’s Orlando. She explores their erotic use, the idea of painting as a sexual act, full of danger. And she examines the creation of fictional portrait painters by writers like Balzac and Zola, whose writing was closely linked, in different ways, to the art of Cézanne. A feast for the eye and for the imagination, Portraits in Fiction is a remarkable and immensely enjoyable exploration of the marriage of two great genres.