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English graphic

Ocena książki

Parametry

  • 208 stron
  • 8 godzin czytania

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English Graphic is a book of essays on the subject of illustration, with the focus entirely on English artists using graphic media; drawings, prints and watercolours. The pieces are largely drawn from Tom Lubbock’s weekly Great Works column for the Independent, with some longer pieces originally published as reviews or catalogue essays. The historical span of the book is broad – from the Uffington White Horse to the Winchester Psalter Hellmouth to Harry Beck’s London Underground Map and beyond. The high point of English Graphic art in the late eighteenth and early nineteenth century makes up the heart of the book, with Fuseli, Blake, Bewick and Palmer all the subject of extended essays. The fifty or so images range from the visionary to the empirical, from folk art to caricature. Connecting and overlapping ideas on line and shape run through the book; maps, islands, clouds, swarms, wombs, skins, dots, contours and boundaries. Energetic, coherent and strange, English Graphic presents an electrical storm of ideas and illuminations provocatively argued by one of our most brilliant writers on art.

Zakup książki

English graphic, Tom Lubbock

Język
Rok wydania
2012
Oprawa
(twarda)
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Metody płatności

4,2
Bardzo dobra
21 Ocena

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Tytuł
English graphic
Język
angielski
Oprawa
twarda
Liczba stron
208
ISBN10
0711233705
ISBN13
9780711233706
Seria
Ocena
4,15 z 5
Opis
English Graphic is a book of essays on the subject of illustration, with the focus entirely on English artists using graphic media; drawings, prints and watercolours. The pieces are largely drawn from Tom Lubbock’s weekly Great Works column for the Independent, with some longer pieces originally published as reviews or catalogue essays. The historical span of the book is broad – from the Uffington White Horse to the Winchester Psalter Hellmouth to Harry Beck’s London Underground Map and beyond. The high point of English Graphic art in the late eighteenth and early nineteenth century makes up the heart of the book, with Fuseli, Blake, Bewick and Palmer all the subject of extended essays. The fifty or so images range from the visionary to the empirical, from folk art to caricature. Connecting and overlapping ideas on line and shape run through the book; maps, islands, clouds, swarms, wombs, skins, dots, contours and boundaries. Energetic, coherent and strange, English Graphic presents an electrical storm of ideas and illuminations provocatively argued by one of our most brilliant writers on art.