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Topographical histories

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  • 80 stron
  • 3 godziny czytania

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Robert Polidori has been making books at Steidl for over 18 years now, and for many of his visits he lodged in an apartment adjacent to the publishing house. To the left of this, at Düstere Straße 6, stands a small humble house, not only the oldest dwelling in Göttingen but, dating back to 1310, one of the oldest half-timber houses in all of Germany. Miraculously never demolished over the centuries (just altered, repaired and patched up), it has now been restored by Gerhard Steidl and today houses the Günter Grass Archive, part of the University of Göttingen. Topographical Histories presents Polidori’s 2016 photos of the interior walls of the building, whose glorious crumbling layers—fourteenth-century structures of wattle and daub, clay bricks and plaster, and remnants of paint and wallpaper from different centuries—bear witness to living history. Polidori focuses on the subtle colorations and depth and complexity of these surfaces, creating an unconventional, painterly architectural portrait.

Zakup książki

Topographical histories, Robert Polidori

Język
Rok wydania
2018
Oprawa
(twarda)
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Metody płatności

2,4
Nic specjalnego
3 Ocena

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Tytuł
Topographical histories
Język
angielski
Wydawca
Steidl
Rok wydania
2018
Oprawa
twarda
Liczba stron
80
ISBN10
3958295495
ISBN13
9783958295490
Seria
Tagi
Ocena
2,35 z 5
Opis
Robert Polidori has been making books at Steidl for over 18 years now, and for many of his visits he lodged in an apartment adjacent to the publishing house. To the left of this, at Düstere Straße 6, stands a small humble house, not only the oldest dwelling in Göttingen but, dating back to 1310, one of the oldest half-timber houses in all of Germany. Miraculously never demolished over the centuries (just altered, repaired and patched up), it has now been restored by Gerhard Steidl and today houses the Günter Grass Archive, part of the University of Göttingen. Topographical Histories presents Polidori’s 2016 photos of the interior walls of the building, whose glorious crumbling layers—fourteenth-century structures of wattle and daub, clay bricks and plaster, and remnants of paint and wallpaper from different centuries—bear witness to living history. Polidori focuses on the subtle colorations and depth and complexity of these surfaces, creating an unconventional, painterly architectural portrait.