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AROTIN & SERGHEI – Infinite Screen

From Light Cells to Monumental Installations at Centre Pompidou

Parametry

  • 304 strony
  • 11 godzin czytania

Więcej o książce

AROTIN & SERGHEI’s Infinite Screen reflects contemporary visuality. As an evolutive inter-medial installation, it investigates the idea of the infinite beyond the limits of our screens, the origins of light and the iconography of digital information. Like luminous and transcendent symphonies of light, their intermedial works of art describe both, the macrocosm and the microcosm of our world, using screens as symbols and portals to infinity within constantly evolving parameters of scientific, mythological, philosophical, and architectural frameworks. This book retraces the artist’s supraliminal work-in-progress, from the intermedial paintings of red, green, and blue Light Cells—the DNA of today’s visual language—to the monumental installations at Ars Electronica, the Venice Biennale, the Fondation Beyeler, the Kunsthistorisches Museum Vienna, and at Centre Pompidou Paris.

Zakup książki

AROTIN & SERGHEI – Infinite Screen, Gerfried Stocker

Język
Rok wydania
2023
Oprawa
(twarda)
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Tytuł
AROTIN & SERGHEI – Infinite Screen
Podtytuł
From Light Cells to Monumental Installations at Centre Pompidou
Język
angielski
Rok wydania
2023
Oprawa
twarda
Liczba stron
304
ISBN10
3775745459
ISBN13
9783775745451
Seria
Tagi
Opis
AROTIN & SERGHEI’s Infinite Screen reflects contemporary visuality. As an evolutive inter-medial installation, it investigates the idea of the infinite beyond the limits of our screens, the origins of light and the iconography of digital information. Like luminous and transcendent symphonies of light, their intermedial works of art describe both, the macrocosm and the microcosm of our world, using screens as symbols and portals to infinity within constantly evolving parameters of scientific, mythological, philosophical, and architectural frameworks. This book retraces the artist’s supraliminal work-in-progress, from the intermedial paintings of red, green, and blue Light Cells—the DNA of today’s visual language—to the monumental installations at Ars Electronica, the Venice Biennale, the Fondation Beyeler, the Kunsthistorisches Museum Vienna, and at Centre Pompidou Paris.