The matrix of modernity and national identity in Manchukuo literature from 1937 to 1941

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"This research, the first endeavor in the English academic world to explore Manchukuo literature in its entirety, puts it within the specific cultural lineages and social-political background to illuminate its underlying intellectual dynamics with a focus on four major literary groups, the Manshū rōmanha, Sakubun writers, Yiwenzhi intellectuals, and the Wenxuan group. Through an in-depth investigation into their theoretical proposals and literary praxes, it turns out that oscillating between modernization and national identification, Manchukuo literature took on the features of multiplicity, ambiguity and self-reflexivity which transcended the dichotomy of romanticism and realism and that of the colonizers and the colonized"--