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Archive Species' is an inquiry into the representation of clothed bodies in print media since the 1970s. Artist Joke Robaard and writer Camiel van Winkel have been re-assembling and re-reading the vast archive of fashion and newspaper images that Robaard has collected since 1979. Together they selected images from the archive and arranged them into dynamic series or cycles, generating new narratives and unexpected pathways of signification. Using an artistic strategy of appropriation and alienation, the authors identify crucial connections between body, object, and behaviour, in an elaborate attempt to expose the hidden cultural and political layers of fashion photography. The essays in this book, on topics such the assembled self, the construction and deconstruction of garments, and the metaphorical potential of textile and fabric, should be read in close connection to the prolific visual material.
Zakup książki
Archive species, Joke Robaard
- Język
- Rok wydania
- 2018
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Archive species
- Język
- angielski
- Autorzy
- Joke Robaard
- Wydawca
- VALIZ
- Rok wydania
- 2018
- Oprawa
- miękka
- Liczba stron
- 488
- ISBN10
- 9492095432
- ISBN13
- 9789492095435
- Seria
- Tagi
- Ocena
- 3 z 5
- Opis
- Archive Species' is an inquiry into the representation of clothed bodies in print media since the 1970s. Artist Joke Robaard and writer Camiel van Winkel have been re-assembling and re-reading the vast archive of fashion and newspaper images that Robaard has collected since 1979. Together they selected images from the archive and arranged them into dynamic series or cycles, generating new narratives and unexpected pathways of signification. Using an artistic strategy of appropriation and alienation, the authors identify crucial connections between body, object, and behaviour, in an elaborate attempt to expose the hidden cultural and political layers of fashion photography. The essays in this book, on topics such the assembled self, the construction and deconstruction of garments, and the metaphorical potential of textile and fabric, should be read in close connection to the prolific visual material.