Bookbot

Learning to Look at Sculpture

Autorzy

Ocena książki

Więcej o książce

This accessible guide explores the study and appreciation of three-dimensional art, highlighting the prevalence of sculpture in public spaces, architecture, and even design. It encourages readers to recognize the various forms and everyday contexts of sculpture. With a focus on Western sculpture from antiquity to the present, the author prompts readers to analyze their experiences, posing questions about sculptural vision, the influence of the Classical Tradition, and the impact of scale and context on visual understanding. The book covers different types of sculpture, including free-standing figures, group works, and reliefs, emphasizing how the experience of sculpture varies with its setting. It also examines the relationship between sculpture and architecture, drawing, and design, as well as the effects of evolving techniques on tactile experiences. Richly illustrated with over 200 images, the book features notable works such as the Riace bronzes, Michelangelo’s David, and contemporary pieces by artists like Henry Moore and Cornelia Parker. A glossary of terms, suggestions for further reading, and student questions make it an ideal resource for anyone interested in sculpture.

Zakup książki

Learning to Look at Sculpture, Mary Acton

Język
Rok wydania
2014
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

3,5
Dobra
7 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Learning to Look at Sculpture
Język
angielski
Autorzy
Mary Acton
Wydawca
Routledge
Rok wydania
2014
Oprawa
miękka
ISBN10
0415577381
ISBN13
9780415577380
Seria
Tagi
Sztuka
Ocena
3,45 z 5
Opis
This accessible guide explores the study and appreciation of three-dimensional art, highlighting the prevalence of sculpture in public spaces, architecture, and even design. It encourages readers to recognize the various forms and everyday contexts of sculpture. With a focus on Western sculpture from antiquity to the present, the author prompts readers to analyze their experiences, posing questions about sculptural vision, the influence of the Classical Tradition, and the impact of scale and context on visual understanding. The book covers different types of sculpture, including free-standing figures, group works, and reliefs, emphasizing how the experience of sculpture varies with its setting. It also examines the relationship between sculpture and architecture, drawing, and design, as well as the effects of evolving techniques on tactile experiences. Richly illustrated with over 200 images, the book features notable works such as the Riace bronzes, Michelangelo’s David, and contemporary pieces by artists like Henry Moore and Cornelia Parker. A glossary of terms, suggestions for further reading, and student questions make it an ideal resource for anyone interested in sculpture.