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Georgia As a Bridge Between Cultures

Autorzy

  • kolektiv

Parametry

  • 189 stron
  • 7 godzin czytania

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Contents:00- Georgia as a Bridge between Cultures: Dynamics of Artistic Exchange;0- (introduction to A. Palladino?s translation of H. Belting);0- Belting from Belting. From Moscow to Constantinople, and to Georgia;0- (translation of H. Belting?s article) ;0- The Painter Manuel Eugenikos from Constantinople in Georgia, translated from Hans Belting.00Articles:00- The Khakhuli Dome Decoration;0- Liturgy and Architecture: Constantinopolitan Rite and Changes in the Architectural Planning of Georgian Churches;0- Altars in Medieval Georgian Churches: Preliminary Notes on their Arrangement, Decoration, and the Rite of Consecration;0- Liminal Spaces of Memory, Devotion, and Feasting? Porch-Chapels in Eleventh-Century Georgia;0- The Monastery of the Transfiguration in Zarzma: At the Intersection of Biblical Narration and Liturgical Relevance;0- The Theme of the Last Judgment in Medieval Georgian Art (Tenth?Thirteenth Centuries).

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Georgia As a Bridge Between Cultures, kolektiv

Język
Rok wydania
2021
Oprawa
(miękka)
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Tytuł
Georgia As a Bridge Between Cultures
Język
angielski
Autorzy
kolektiv
Rok wydania
2021
Oprawa
miękka
Liczba stron
189
ISBN10
8021098880
ISBN13
9788021098886
Seria
Opis
Contents:00- Georgia as a Bridge between Cultures: Dynamics of Artistic Exchange;0- (introduction to A. Palladino?s translation of H. Belting);0- Belting from Belting. From Moscow to Constantinople, and to Georgia;0- (translation of H. Belting?s article) ;0- The Painter Manuel Eugenikos from Constantinople in Georgia, translated from Hans Belting.00Articles:00- The Khakhuli Dome Decoration;0- Liturgy and Architecture: Constantinopolitan Rite and Changes in the Architectural Planning of Georgian Churches;0- Altars in Medieval Georgian Churches: Preliminary Notes on their Arrangement, Decoration, and the Rite of Consecration;0- Liminal Spaces of Memory, Devotion, and Feasting? Porch-Chapels in Eleventh-Century Georgia;0- The Monastery of the Transfiguration in Zarzma: At the Intersection of Biblical Narration and Liturgical Relevance;0- The Theme of the Last Judgment in Medieval Georgian Art (Tenth?Thirteenth Centuries).