Parametry
- 1216 stron
- 43 godziny czytania
Więcej o książce
This comprehensive collection of documents on 19th-century art theories includes 236 texts, offering an essential guide for informed study. Like its companion volume, it presents a wide array of writings from artists, critics, philosophers, and literary figures, with about one-third featuring new translations from various languages. The anthology explores diverse themes such as genius and originality, landscape painting, Realism, Modernity, Impressionism, optics, color theory, and the aesthetics and rise of photography. Each section begins with an essay that contextualizes the ideas historically, linking theoretical debates to artistic practice. Texts are introduced with outlines detailing their original context and significance in the evolution of modern artistic theory. An extensive bibliography further supports research and study. This volume not only serves as a key resource for understanding art theory but also reflects the broader cultural discussions of the 19th century, making it indispensable for scholars and enthusiasts alike.
Zakup książki
Art in theory 1900-1990: An Anthology of Changing Ideas, Paul Wood, Charles Harrison
- Język
- Rok wydania
- 1992
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Art in theory 1900-1990: An Anthology of Changing Ideas
- Język
- angielski
- Autorzy
- Paul Wood, Charles Harrison
- Wydawca
- Blackwell
- Rok wydania
- 1992
- Oprawa
- miękka
- Liczba stron
- 1216
- ISBN10
- 0631165754
- ISBN13
- 9780631165750
- Seria
- Kategorie
- Ocena
- 4,25 z 5
- Opis
- This comprehensive collection of documents on 19th-century art theories includes 236 texts, offering an essential guide for informed study. Like its companion volume, it presents a wide array of writings from artists, critics, philosophers, and literary figures, with about one-third featuring new translations from various languages. The anthology explores diverse themes such as genius and originality, landscape painting, Realism, Modernity, Impressionism, optics, color theory, and the aesthetics and rise of photography. Each section begins with an essay that contextualizes the ideas historically, linking theoretical debates to artistic practice. Texts are introduced with outlines detailing their original context and significance in the evolution of modern artistic theory. An extensive bibliography further supports research and study. This volume not only serves as a key resource for understanding art theory but also reflects the broader cultural discussions of the 19th century, making it indispensable for scholars and enthusiasts alike.


