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Sean Scully : twenty years : 1976-1995

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Sean Scully's large-scale canvases carry on the rich legacy of postwar American abstract painting in an age when much of the critical focus has turned to subject-driven art. Using a deliberately restricted vocabulary of lines or bands of color that allude to architectural elements such as portals, windows, and walls, Scully, an Irish-born, English-trained, naturalized American, has generated a significant, vibrant, and compelling body of work that is widely collected and internationally exhibited. Sean Scully: Twenty Years, 1976-1995 traces the evolution of his art through paintings and related works on paper spanning this important period of contemporary art, a time wherein Scully evolved from a painter whose work was severely hard-edge and minimal, to one whose bravura handling of paint and command of resonant color take nonrepresentational painting towards a decidedly humanistic end

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Sean Scully : twenty years : 1976-1995, Lynne Cooke, Armin Zweite, Ned Rifkin, Victoria Combalia

Język
Rok wydania
1995
Oprawa
(twarda)
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3,8
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4 Ocena

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Tytuł
Sean Scully : twenty years : 1976-1995
Język
angielski
Rok wydania
1995
Oprawa
twarda
Liczba stron
160
ISBN10
0500092494
ISBN13
9780500092491
Seria
Ocena
3,75 z 5
Opis
Sean Scully's large-scale canvases carry on the rich legacy of postwar American abstract painting in an age when much of the critical focus has turned to subject-driven art. Using a deliberately restricted vocabulary of lines or bands of color that allude to architectural elements such as portals, windows, and walls, Scully, an Irish-born, English-trained, naturalized American, has generated a significant, vibrant, and compelling body of work that is widely collected and internationally exhibited. Sean Scully: Twenty Years, 1976-1995 traces the evolution of his art through paintings and related works on paper spanning this important period of contemporary art, a time wherein Scully evolved from a painter whose work was severely hard-edge and minimal, to one whose bravura handling of paint and command of resonant color take nonrepresentational painting towards a decidedly humanistic end