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Stencil Pirates

Ocena książki

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  • 180 stron
  • 7 godzin czytania

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Stencil Pirates is the most comprehensive book dedicated to the street art of the stencil. The book contains an exhaustive collection of close to 1000 photographs from around the globe. The photos show work by hundreds of different artists, exposing the width and breadth of stencil graffiti, from political to abstract and purely aesthetic, from tagging to public announcements. Stencil Pirates offers in-depth writings on the complex history of stencil graffiti, its political context, and how stencils fit into the larger pantheon of street expression. It discusses stenciling as a way for political movements to resist and mark territory, whether as part of gentrification struggles in New York and San Francisco or as part of the general uprising in Argentina over the past couple years.Stencil artists are the printmakers of the urban landscape, dropping art on sidewalks, walls, park benches, bus stops, store windows, etc. By far the most accessible form of printmaking, stencil artists simply need a piece of cardboard, a knife, a can of spray paint and something to express. Stenciling is a form of expression that boldly reclaims public space by inserting political or metaphysical messages into corporate landscapes.

Zakup książki

Stencil Pirates, Josh MacPhee

Język
Rok wydania
2005
Oprawa
(miękka)
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Metody płatności

3,8
Bardzo dobra
60 Ocena

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Tytuł
Stencil Pirates
Język
angielski
Wydawca
Soft Skull
Rok wydania
2005
Oprawa
miękka
Liczba stron
180
ISBN10
1932360158
ISBN13
9781932360158
Seria
Ocena
3,75 z 5
Opis
Stencil Pirates is the most comprehensive book dedicated to the street art of the stencil. The book contains an exhaustive collection of close to 1000 photographs from around the globe. The photos show work by hundreds of different artists, exposing the width and breadth of stencil graffiti, from political to abstract and purely aesthetic, from tagging to public announcements. Stencil Pirates offers in-depth writings on the complex history of stencil graffiti, its political context, and how stencils fit into the larger pantheon of street expression. It discusses stenciling as a way for political movements to resist and mark territory, whether as part of gentrification struggles in New York and San Francisco or as part of the general uprising in Argentina over the past couple years.Stencil artists are the printmakers of the urban landscape, dropping art on sidewalks, walls, park benches, bus stops, store windows, etc. By far the most accessible form of printmaking, stencil artists simply need a piece of cardboard, a knife, a can of spray paint and something to express. Stenciling is a form of expression that boldly reclaims public space by inserting political or metaphysical messages into corporate landscapes.