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New Trends in Japanese Photography

Autorzy

  • kolektiv

Ocena książki

Parametry

  • 168 stron
  • 6 godzin czytania

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The volume brings together the works of 13 contemporary Japanese artists. The contemporary Japanese scene is remarkably complex, extremely varied, and even enticing. The fact that it is impossible to define one or more trends is extremely positive: there are so many different fields of research, all explored with equal intensity and with an originality that Western photography so often lacks. And this is another characteristic that makes Japanese images unique. The photographers are able to distance themselves from the weighty legacy of the masters and take up issues related to the changes underway in contemporary society, addressing them in limpid works that can be formally classic yet incisive, raw and essential. Maiko Haruki, Naoki Ishikawa, Tomoko Kikuchi, Toshiya Murakoshi, Yurie Nagashima, Sohei Nishino, Koji Onaka, Yuki Onodera, Chino Otsuka, Tomoko Sawada, Lieko Shiga, Risaku Suzuki, Ryoko Suzuki, and Chikako Yamashiro belong to a generation of artists who are proceeding in open order and still lack the appropriate support, but are aware of their skills. They are also able to appeal to people's sensitivity across the board, especially that of the critics and Western public, who seem to have been dulled by redundant aestheticism for years.

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New Trends in Japanese Photography, kolektiv

Język
Rok wydania
2016
Oprawa
(miękka)
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Tytuł
New Trends in Japanese Photography
Język
angielski
Autorzy
kolektiv
Rok wydania
2016
Oprawa
miękka
Liczba stron
168
ISBN10
8857232794
ISBN13
9788857232799
Seria
Ocena
4 z 5
Opis
The volume brings together the works of 13 contemporary Japanese artists. The contemporary Japanese scene is remarkably complex, extremely varied, and even enticing. The fact that it is impossible to define one or more trends is extremely positive: there are so many different fields of research, all explored with equal intensity and with an originality that Western photography so often lacks. And this is another characteristic that makes Japanese images unique. The photographers are able to distance themselves from the weighty legacy of the masters and take up issues related to the changes underway in contemporary society, addressing them in limpid works that can be formally classic yet incisive, raw and essential. Maiko Haruki, Naoki Ishikawa, Tomoko Kikuchi, Toshiya Murakoshi, Yurie Nagashima, Sohei Nishino, Koji Onaka, Yuki Onodera, Chino Otsuka, Tomoko Sawada, Lieko Shiga, Risaku Suzuki, Ryoko Suzuki, and Chikako Yamashiro belong to a generation of artists who are proceeding in open order and still lack the appropriate support, but are aware of their skills. They are also able to appeal to people's sensitivity across the board, especially that of the critics and Western public, who seem to have been dulled by redundant aestheticism for years.