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Theater des Überlebens. Martin Disler. Die späten Jahre

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  • 144 strony
  • 6 godzin czytania

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Martin Disler (1949-1996) was arguably Switzerland’s most renownded young artist of the 1980s. Gaining early recognition primarily as a draftsman, he became an internationally celebrated painter after 1980. In the last decade of his relatively short life, which he spent in virtual seclusion, Disler also turned to sculpture. Throughout his entire career, he also wrote poems and literary texts. Self-taught in all disciplines, he constantly struggled in search of his unique visual language and for the major themes that connect his entire manifold oeuvre: love and sex, anger and tenderness, war and violence, illness and death. Regarded as a representative of a wild or neo-expressive style in painting at the peak of his career, Disler always remained an utterly independent loner. This monograph is the first book to examine the various disciplines in Disler's late work, highlighting the importance of the body and its role in the creative act.

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Theater des Überlebens. Martin Disler. Die späten Jahre, Martin Disler

Język
Rok wydania
2021
Oprawa
(miękka)
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Tytuł
Theater des Überlebens. Martin Disler. Die späten Jahre
Język
niemiecki
Rok wydania
2021
Oprawa
miękka
Liczba stron
144
ISBN10
385881699X
ISBN13
9783858816993
Seria
Opis
Martin Disler (1949-1996) was arguably Switzerland’s most renownded young artist of the 1980s. Gaining early recognition primarily as a draftsman, he became an internationally celebrated painter after 1980. In the last decade of his relatively short life, which he spent in virtual seclusion, Disler also turned to sculpture. Throughout his entire career, he also wrote poems and literary texts. Self-taught in all disciplines, he constantly struggled in search of his unique visual language and for the major themes that connect his entire manifold oeuvre: love and sex, anger and tenderness, war and violence, illness and death. Regarded as a representative of a wild or neo-expressive style in painting at the peak of his career, Disler always remained an utterly independent loner. This monograph is the first book to examine the various disciplines in Disler's late work, highlighting the importance of the body and its role in the creative act.