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Twilight of Love

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Turgenev (1818-1883) was one of Russia's most famous writers, friend of Flaubert, Dostoyevsky and Henry James. Turgenev's private life was, perhaps, as remarkable as his public. For forty years he was passionately devoted to Pauline Viardot, a singer, following her and her husband around Europe. Yet their relationship was completely chaste - both had affairs with other people - and at various stages Turgenev lived amicably next door or upstairs from the Viardots. In fact, he described M Viardot as one of his dearest friends. What, then, did Turgenev mean by the word 'love'? Robert Dessaix learned Russian as a young man in the 1960s, and has been reading Turgenev on and off ever since. Over the course of his own forty year relationship, he has come to see Turgenev's life and work as illustrating a turning point in the history of love, as much as the history of Russia - the moment the Romantic became the Modern, the moment love became sex, and sex became a commodity.

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Twilight of Love, Robert Dessaix

Język
Rok wydania
2006
Oprawa
(miękka)
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Metody płatności

3,9
Bardzo dobra
92 Ocena

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Tytuł
Twilight of Love
Język
angielski
Rok wydania
2006
Oprawa
miękka
Liczba stron
288
ISBN10
0743263391
ISBN13
9780743263399
Seria
Ocena
3,9 z 5
Opis
Turgenev (1818-1883) was one of Russia's most famous writers, friend of Flaubert, Dostoyevsky and Henry James. Turgenev's private life was, perhaps, as remarkable as his public. For forty years he was passionately devoted to Pauline Viardot, a singer, following her and her husband around Europe. Yet their relationship was completely chaste - both had affairs with other people - and at various stages Turgenev lived amicably next door or upstairs from the Viardots. In fact, he described M Viardot as one of his dearest friends. What, then, did Turgenev mean by the word 'love'? Robert Dessaix learned Russian as a young man in the 1960s, and has been reading Turgenev on and off ever since. Over the course of his own forty year relationship, he has come to see Turgenev's life and work as illustrating a turning point in the history of love, as much as the history of Russia - the moment the Romantic became the Modern, the moment love became sex, and sex became a commodity.