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On film-making an introduction to the craft of the director

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A priceless examination of the filmmaker's craft by the renowned director of Sweet Smell of Success. After over twenty years in the film industry as a screenwriter, storyboard editor, and director of notable films, Alexander Mackendrick left Hollywood to become the Dean of a prestigious film school. His unwavering commitment to filmmaking inspired students at the California Institute for the Arts for nearly twenty-five years. Mackendrick's teaching style included extensive notes, well-crafted storyboards, and handouts featuring excerpts from thinkers like Kierkegaard and Aristotle. Central to his lessons was a straightforward goal: to guide aspiring filmmakers in structuring and writing their stories while effectively utilizing the unique devices of film. This impressive volume, edited by Paul Cronin, compiles the diverse materials that established Mackendrick's reputation as an instructor, providing both professionals and students with access to a filmmaking methodology that is both challenging and refreshingly clear. Meticulously illustrated and drawing on examples from classic films such as North by Northwest, Citizen Kane, and Touch of Evil, Mackendrick's elegant lessons are poised to inspire a new generation of filmmakers.

Zakup książki

On film-making an introduction to the craft of the director, Martin Scorsese, Alexander Mackendrick

Język
Rok wydania
2004
Oprawa
(miękka)
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4,4
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818 Ocena

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Tytuł
On film-making an introduction to the craft of the director
Język
angielski
Rok wydania
2004
Oprawa
miękka
Liczba stron
336
ISBN10
0571211259
ISBN13
9780571211258
Seria
Ocena
4,35 z 5
Opis
A priceless examination of the filmmaker's craft by the renowned director of Sweet Smell of Success. After over twenty years in the film industry as a screenwriter, storyboard editor, and director of notable films, Alexander Mackendrick left Hollywood to become the Dean of a prestigious film school. His unwavering commitment to filmmaking inspired students at the California Institute for the Arts for nearly twenty-five years. Mackendrick's teaching style included extensive notes, well-crafted storyboards, and handouts featuring excerpts from thinkers like Kierkegaard and Aristotle. Central to his lessons was a straightforward goal: to guide aspiring filmmakers in structuring and writing their stories while effectively utilizing the unique devices of film. This impressive volume, edited by Paul Cronin, compiles the diverse materials that established Mackendrick's reputation as an instructor, providing both professionals and students with access to a filmmaking methodology that is both challenging and refreshingly clear. Meticulously illustrated and drawing on examples from classic films such as North by Northwest, Citizen Kane, and Touch of Evil, Mackendrick's elegant lessons are poised to inspire a new generation of filmmakers.