The edge of vision. The rise of abstraction in photography

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Abstraction has been a fundamental aspect of photography since its inception, reflecting the medium's enduring appeal. This book is the first in English to document the rise of abstraction in photography, placing it in historical context while exploring contemporary practices. Author Lyle Rexer investigates key moments in the evolution of abstraction, starting with early pioneers who believed the camera could unveil hidden realities. The narrative follows the Photo-Secessionists, who prioritized emotional expression and process over mere representation, and delves into Modernist and Surrealist innovations. From the 1950s to the 1980s, numerous photographers, including Edward Weston, Aaron Siskind, Barbara Kasten, Ellen Carey, and James Welling, embraced abstraction from diverse perspectives. Rexer also examines how the history of abstraction informs current artistic practices, highlighting contemporary artists like Penelope Umbrico, Michael Flomen, and Adam Broomberg and Oliver Chanarin, who challenge traditional definitions of photography by exploring conceptual avenues that blur the lines between photography, painting, and sculpture. This volume combines Rexer's engaging narrative with rich illustrations and includes primary texts and interviews with influential figures such as Alvin Langdon Coburn, László Moholy-Nagy, Gottfried Jäger, Silvio Wolf, and Walead Beshty.