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The Lateran in 1600

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The Lateran in 1600: Christian Concord in Counter-Reformation Rome examines the physical and spiritual revival of the Pope's own church, the Cathedral of Rome, during the sixteenth century. Built by Constantine the Great, San Giovanni in Laterano was the undisputed centre of Christendom throughout the Middle Ages. During the Renaissance, however, Saint Peter's gradually absorbed the Lateran's prestige through the transfer of the official papal residence to the Vatican. At the height of the Counter-Reformation, when concern for the Church's Early Christian heritage was at its peak, Pope Clement VIII (1592–1605) turned his attention to restoring the Lateran as a symbol of the triumph of Christianity, and the result constituted a primary statement of the ideals of the Christian church at this critical moment. The emphasis on reconciliation and concord that defines the decoration both visually and iconographically parallels Clement VIII's achievement in leading the Christian nation to peace on the eve of the new century.

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The Lateran in 1600, Jack Freiberg

Język
Rok wydania
1995
Oprawa
(twarda)
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Tytuł
The Lateran in 1600
Język
angielski
Rok wydania
1995
Oprawa
twarda
ISBN10
0521460573
ISBN13
9780521460576
Seria
Opis
The Lateran in 1600: Christian Concord in Counter-Reformation Rome examines the physical and spiritual revival of the Pope's own church, the Cathedral of Rome, during the sixteenth century. Built by Constantine the Great, San Giovanni in Laterano was the undisputed centre of Christendom throughout the Middle Ages. During the Renaissance, however, Saint Peter's gradually absorbed the Lateran's prestige through the transfer of the official papal residence to the Vatican. At the height of the Counter-Reformation, when concern for the Church's Early Christian heritage was at its peak, Pope Clement VIII (1592–1605) turned his attention to restoring the Lateran as a symbol of the triumph of Christianity, and the result constituted a primary statement of the ideals of the Christian church at this critical moment. The emphasis on reconciliation and concord that defines the decoration both visually and iconographically parallels Clement VIII's achievement in leading the Christian nation to peace on the eve of the new century.