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Stella Adler on Ibsen Strindberg

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  • 352 strony
  • 13 godzin czytania

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An original member of the famed Group Theater, Stella Adler was one of the most influential artists to come out of the American theater. As a Stanislavsky disciple and founder of her own highly esteemed acting conservatory, the extravagant actress was also an eminent acting teacher, training her students--among them Marlon Brando, Al Pacino, and Robert DeNiro--in the art of script interpretation.The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen's characters to free themselves from societal convention, the mortal conflicts that trap Strindberg's men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters "as if to see, hear and feel their genius for the first time." (William H. Gass)

Zakup książki

Stella Adler on Ibsen Strindberg, Stella Adler

Język
Rok wydania
2000
Oprawa
(miękka)
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Metody płatności

4,5
Bardzo dobra
120 Ocena

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Tytuł
Stella Adler on Ibsen Strindberg
Język
angielski
Rok wydania
2000
Oprawa
miękka
Liczba stron
352
ISBN10
0679746986
ISBN13
9780679746980
Seria
Ocena
4,5 z 5
Opis
An original member of the famed Group Theater, Stella Adler was one of the most influential artists to come out of the American theater. As a Stanislavsky disciple and founder of her own highly esteemed acting conservatory, the extravagant actress was also an eminent acting teacher, training her students--among them Marlon Brando, Al Pacino, and Robert DeNiro--in the art of script interpretation.The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen's characters to free themselves from societal convention, the mortal conflicts that trap Strindberg's men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters "as if to see, hear and feel their genius for the first time." (William H. Gass)