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Theodor Pištěk. Člověk a stroj. Man and machine

Parametry

  • 144 strony
  • 6 godzin czytania

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This lavishly illustrated book is dedicated to the work of legendary Czech artist Theodor Pistek, with a focus on his paintings, reliefs, and installations related to cars, engines, automotive components, and pieces thereof. The book includes several of his iconic paintings (Great Landscape, Ecce homo, Visiting the Harrachs), which have become classics of photorealism, as well as examples of fantastical objects (Head of the Medusa, Gemini) and original three-dimensional installations (the monumental Reliquary). In addition, the book includes much new information that presents Pistek not only as an artist but also as a multifaceted athlete and sportsman, in particular as a talented racecar driver who even competed for the national team. Author Petr Volf also looks at Pistek's film-related work, whose highpoint is his Academy Award for the costume design for director Milos Forman's 'Amadeus', but which also includes screenwriting (for Frantisek Vlácil's unfinished 'The Rally') and design (the demonic race car for director Juraj Herz's 'Ferat Vampire').

Zakup książki

Theodor Pištěk. Člověk a stroj. Man and machine, Petr Volf, Stephan von Pohl

Język
Rok wydania
2017
Oprawa
(twarda)
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Metody płatności

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Tytuł
Theodor Pištěk. Člověk a stroj. Man and machine
Język
czeski, angielski
Wydawca
KANT
Rok wydania
2017
Oprawa
twarda
Liczba stron
144
ISBN10
8074372359
ISBN13
9788074372353
Seria
Opis
This lavishly illustrated book is dedicated to the work of legendary Czech artist Theodor Pistek, with a focus on his paintings, reliefs, and installations related to cars, engines, automotive components, and pieces thereof. The book includes several of his iconic paintings (Great Landscape, Ecce homo, Visiting the Harrachs), which have become classics of photorealism, as well as examples of fantastical objects (Head of the Medusa, Gemini) and original three-dimensional installations (the monumental Reliquary). In addition, the book includes much new information that presents Pistek not only as an artist but also as a multifaceted athlete and sportsman, in particular as a talented racecar driver who even competed for the national team. Author Petr Volf also looks at Pistek's film-related work, whose highpoint is his Academy Award for the costume design for director Milos Forman's 'Amadeus', but which also includes screenwriting (for Frantisek Vlácil's unfinished 'The Rally') and design (the demonic race car for director Juraj Herz's 'Ferat Vampire').