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An Afrofuturist horror-comedy about gentrification, hip hop, and cultural appropriation. Once a thriving working class neighborhood on Chicago’s south side, the “Bottomyards” is now the definition of urban blight. When an aspiring fashion designer named Darla and her image-obsessed friend, Cynthia, descend upon the neighborhood in search of cheap rent, they soon discover something far more seductive and sinister lurking behind the walls of their new home. Like a cross between Jordan Peele’s Get Out and John Carpenter’s The Thing , Daniels and Passmore’s BTTM FDR S (pronounced “bottomfeeders”) offers a vision of horror that is gross and gory in all the right ways. At turns funny, scary, and thought provoking, it unflinchingly confronts the monsters―both metaphoric and real―that are displacing cultures in urban neighborhoods today. Full-color illustrations throughout.
Zakup książki
Bttm Fdrs, Ezra Claytan Daniels, Ben Passmore
- Język
- Rok wydania
- 2019
- Oprawa
- (twarda)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Bttm Fdrs
- Język
- angielski
- Autorzy
- Ezra Claytan Daniels, Ben Passmore
- Wydawca
- Fantagraphics
- Rok wydania
- 2019
- Oprawa
- twarda
- Liczba stron
- 288
- ISBN10
- 1683962060
- ISBN13
- 9781683962069
- Seria
- Tagi
- Komiksy, Rasa & Rasizm
- Ocena
- 3,85 z 5
- Opis
- An Afrofuturist horror-comedy about gentrification, hip hop, and cultural appropriation. Once a thriving working class neighborhood on Chicago’s south side, the “Bottomyards” is now the definition of urban blight. When an aspiring fashion designer named Darla and her image-obsessed friend, Cynthia, descend upon the neighborhood in search of cheap rent, they soon discover something far more seductive and sinister lurking behind the walls of their new home. Like a cross between Jordan Peele’s Get Out and John Carpenter’s The Thing , Daniels and Passmore’s BTTM FDR S (pronounced “bottomfeeders”) offers a vision of horror that is gross and gory in all the right ways. At turns funny, scary, and thought provoking, it unflinchingly confronts the monsters―both metaphoric and real―that are displacing cultures in urban neighborhoods today. Full-color illustrations throughout.