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Emmanuel Bornstein / Lotte Laserstein - Pensée

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  • 72 strony
  • 3 godziny czytania

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How do artists' identities and the histories of their families influence their art? Where might a creative affinity sustained by a legacy of trauma take an artist? Lotte Laserstein (1898- 1993) and Emmanuel Bornstein (b. 1986) are connected by such a bond, tied by Bornstein's grandmother, a Ré sistance fighter and, like Lotte Laserstein, a Jew who survived the Nazis. Bornstein discovered Laserstein's works by coincidence and without knowing of this connection, and he was fascinated right away: " It was actually what I' d been trying to make for years!" There are in fact parallels between their oeuvres-- both feature people who are waiting and flower bouquets, and a melancholy aspect and a subtle menace can be felt in both. Yet there are also discrepancies, and the dialogue between their works would be far less inspiring without them: Bornstein's omnipresent toxic cadmium, which contrasts with Laserstein's muted tones; the paint application; the brushwork. What the artists have in common, in any case, is that Sweden became their abode in times of danger and painting, their only true home. This catalog celebrates their creative homecoming.

Zakup książki

Emmanuel Bornstein / Lotte Laserstein - Pensée, Anna-Carola Krausse

Język
Rok wydania
2024
Oprawa
(miękka)
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Tytuł
Emmanuel Bornstein / Lotte Laserstein - Pensée
Język
angielski, niemiecki
Rok wydania
2024
Oprawa
miękka
Liczba stron
72
ISBN10
3969121965
ISBN13
9783969121962
Seria
Opis
How do artists' identities and the histories of their families influence their art? Where might a creative affinity sustained by a legacy of trauma take an artist? Lotte Laserstein (1898- 1993) and Emmanuel Bornstein (b. 1986) are connected by such a bond, tied by Bornstein's grandmother, a Ré sistance fighter and, like Lotte Laserstein, a Jew who survived the Nazis. Bornstein discovered Laserstein's works by coincidence and without knowing of this connection, and he was fascinated right away: " It was actually what I' d been trying to make for years!" There are in fact parallels between their oeuvres-- both feature people who are waiting and flower bouquets, and a melancholy aspect and a subtle menace can be felt in both. Yet there are also discrepancies, and the dialogue between their works would be far less inspiring without them: Bornstein's omnipresent toxic cadmium, which contrasts with Laserstein's muted tones; the paint application; the brushwork. What the artists have in common, in any case, is that Sweden became their abode in times of danger and painting, their only true home. This catalog celebrates their creative homecoming.