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Hanna Bekker vom Rath

Eine Aufständische für die Moderne. A Rebel for Modern Art

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  • 256 stron
  • 9 godzin czytania

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A multifaceted portrait of a vital ambassador of art. Art collector, patron, and arbiter, Hanna Bekker vom Rath (1893-1983) was a trailblazer for the artistic avant-garde and one of the most important female personalities in Germany during the pre-war and post-war modern periods. This lavishly illustrated volume provides a lively picture of this remarkable woman. A refuge for modernism, vom Rath promoted the art of the Brücke artists and the avant-garde in a variety of ways. Even during the National Socialist era, her Blue House in Hofheim served as an intimate space for exchanges and exhibitions for the artists who were her friends. Notably, she was a friend of Karl Schmidt-Rottluff, Alexej von Jawlensky, Ida Kerkorius, and Paul Klee. After the war, she founded the Kunstkabinett in Frankfurt, the city's first postwar gallery, and she undertook numerous international journeys on behalf of modern art. The texts and images collected here sketch a multifaceted portrait of this important figure of art history, documenting the far-reaching influence of her achievements.

Zakup książki

Hanna Bekker vom Rath, Lisa Schmidt-Colinet

Język
Rok wydania
2024
Oprawa
(miękka)
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Tytuł
Hanna Bekker vom Rath
Podtytuł
Eine Aufständische für die Moderne. A Rebel for Modern Art
Język
angielski, niemiecki
Wydawca
Hirmer
Rok wydania
2024
Oprawa
miękka
Liczba stron
256
ISBN10
3777443549
ISBN13
9783777443546
Seria
Opis
A multifaceted portrait of a vital ambassador of art. Art collector, patron, and arbiter, Hanna Bekker vom Rath (1893-1983) was a trailblazer for the artistic avant-garde and one of the most important female personalities in Germany during the pre-war and post-war modern periods. This lavishly illustrated volume provides a lively picture of this remarkable woman. A refuge for modernism, vom Rath promoted the art of the Brücke artists and the avant-garde in a variety of ways. Even during the National Socialist era, her Blue House in Hofheim served as an intimate space for exchanges and exhibitions for the artists who were her friends. Notably, she was a friend of Karl Schmidt-Rottluff, Alexej von Jawlensky, Ida Kerkorius, and Paul Klee. After the war, she founded the Kunstkabinett in Frankfurt, the city's first postwar gallery, and she undertook numerous international journeys on behalf of modern art. The texts and images collected here sketch a multifaceted portrait of this important figure of art history, documenting the far-reaching influence of her achievements.