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Monika Grzymala und Katharina Hinsberg

Zwischen einer Linie

Autorzy

  • kolektiv

Parametry

  • 160 stron
  • 6 godzin czytania

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The shared medium of Katharina Hinsberg and Monika Gryzmala is drawing. The exploration of the line is central to both of their work. Many of their artworks transcend the traditional boundaries of the genre and, in their dynamic reach, take on an almost sculptural quality. While Katharina Hinsberg's lines dissect space with precision clarity, Monika Grzymala's imposing bundles of lines penetrate the space with an eruptive power. The two artistic approaches are being shown together for the first time in the joint exhibition Between a Line at the Kunsthalle Mannheim. The accompanying catalog was created through an ongoing dialogue between the two artists. Two sketchbooks formed the basis; the artists worked in these alternately, each visually "interrupting" one another, constantly striving to confront their colleague's preliminary drawing work with their own understanding of the line, and exploring their artistic potential through a collaborative practice.

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Monika Grzymala und Katharina Hinsberg, kolektiv

Język
Rok wydania
2024
Oprawa
(miękka)
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Tytuł
Monika Grzymala und Katharina Hinsberg
Podtytuł
Zwischen einer Linie
Język
angielski, niemiecki
Autorzy
kolektiv
Rok wydania
2024
Oprawa
miękka
Liczba stron
160
ISBN10
3735609767
ISBN13
9783735609762
Seria
Tagi
Opis
The shared medium of Katharina Hinsberg and Monika Gryzmala is drawing. The exploration of the line is central to both of their work. Many of their artworks transcend the traditional boundaries of the genre and, in their dynamic reach, take on an almost sculptural quality. While Katharina Hinsberg's lines dissect space with precision clarity, Monika Grzymala's imposing bundles of lines penetrate the space with an eruptive power. The two artistic approaches are being shown together for the first time in the joint exhibition Between a Line at the Kunsthalle Mannheim. The accompanying catalog was created through an ongoing dialogue between the two artists. Two sketchbooks formed the basis; the artists worked in these alternately, each visually "interrupting" one another, constantly striving to confront their colleague's preliminary drawing work with their own understanding of the line, and exploring their artistic potential through a collaborative practice.