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Birgit Werres

Kat. Kunstverein Heilbronn, Kunstverein Schwäbisch-Hall, Märkisches Museum Witten

Autorzy

  • kolektiv

Parametry

  • 128 stron
  • 5 godzin czytania

Więcej o książce

Birgit Werres can do magic. She manages to transform a simple wire into a sweeping line in space, to unite a ball of tension belts in the dynamic and complex interplay of forms, colors, and textures of a cotton net. Playful and austere, her works unfold a dynamic in the space, which may be described by the fullness of movement of the Baroque just as much as by a minimalist decision that seeks to dispense with everything unnecessary and trusts in the potential of the material. Since the 1990s, the artist has been roaming the streets, construction sites, industrial wastelands, factories, and production facilities in search of materials for her sculptures and wall objects. For she practices recycling of an entirely different kind: metals, plastics, containers, wire, and indefinable "stuff." These are telling relics, remnants that bear traces of use, minimalist as well as beautiful! It carries a story within itself and at the same time becomes an object that assumes a new position.

Zakup książki

Birgit Werres, kolektiv

Język
Rok wydania
2022
Oprawa
(twarda)
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Tytuł
Birgit Werres
Podtytuł
Kat. Kunstverein Heilbronn, Kunstverein Schwäbisch-Hall, Märkisches Museum Witten
Język
angielski, niemiecki
Autorzy
kolektiv
Rok wydania
2022
Oprawa
twarda
Liczba stron
128
ISBN10
3864423414
ISBN13
9783864423413
Seria
Opis
Birgit Werres can do magic. She manages to transform a simple wire into a sweeping line in space, to unite a ball of tension belts in the dynamic and complex interplay of forms, colors, and textures of a cotton net. Playful and austere, her works unfold a dynamic in the space, which may be described by the fullness of movement of the Baroque just as much as by a minimalist decision that seeks to dispense with everything unnecessary and trusts in the potential of the material. Since the 1990s, the artist has been roaming the streets, construction sites, industrial wastelands, factories, and production facilities in search of materials for her sculptures and wall objects. For she practices recycling of an entirely different kind: metals, plastics, containers, wire, and indefinable "stuff." These are telling relics, remnants that bear traces of use, minimalist as well as beautiful! It carries a story within itself and at the same time becomes an object that assumes a new position.