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Maria Eichhorn. Relocating a Structure. Deutscher Pavillon 2022, 59. Internationale Kunstausstellung - La Biennale di Venezia Ma

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  • 367 stron
  • 13 godzin czytania

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In her project Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition - La Biennale di Venezia, Maria Eichhorn examines the eventful history of the German Pavilion. Eichhorn's initial idea to relocate the German Pavilion for the duration of the Biennale and then to faithfully reassemble it on its original site were accompanied by an analysis of the actual physical structure of the pavilion, which principally consists of two buildings: the Bavarian Pavilion built in 1909 and the extensions carried out by the Nazis in 1938, as seen today. The artist had the foundations of the pavilion excavated and layers of plaster removed from its walls to expose the joins between the earlier structure and the remodelled building. This comprehensive publication is one of the components of her contribution.

Zakup książki

Maria Eichhorn. Relocating a Structure. Deutscher Pavillon 2022, 59. Internationale Kunstausstellung - La Biennale di Venezia Ma, Yilmaz Dziewior

Język
Rok wydania
2022
Oprawa
(miękka)
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Tytuł
Maria Eichhorn. Relocating a Structure. Deutscher Pavillon 2022, 59. Internationale Kunstausstellung - La Biennale di Venezia Ma
Język
angielski, niemiecki, włoski
Rok wydania
2022
Oprawa
miękka
Liczba stron
367
ISBN10
3753302236
ISBN13
9783753302232
Seria
Ocena
4 z 5
Opis
In her project Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition - La Biennale di Venezia, Maria Eichhorn examines the eventful history of the German Pavilion. Eichhorn's initial idea to relocate the German Pavilion for the duration of the Biennale and then to faithfully reassemble it on its original site were accompanied by an analysis of the actual physical structure of the pavilion, which principally consists of two buildings: the Bavarian Pavilion built in 1909 and the extensions carried out by the Nazis in 1938, as seen today. The artist had the foundations of the pavilion excavated and layers of plaster removed from its walls to expose the joins between the earlier structure and the remodelled building. This comprehensive publication is one of the components of her contribution.