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Japanese Prints in Transition

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  • 168 stron
  • 6 godzin czytania

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Art curators Rhiannon Paget and Karin Breuer present a stunning introduction to the history of Japanese printmaking, featuring selections from the renowned Achenbach Foundation for Graphic Arts’ permanent exhibit with highlights from the de Young Museum’s vast collection.In 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations. Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e , or “floating world” images), also changed course during the Meiji era (1868–1912), as societal changes and the once-isolationist country’s new global engagement provided a wealth of new subjects for artists to capture.Japanese Prints in From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.Includes Color Photographs

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Japanese Prints in Transition, Rhiannon Paget

Język
Rok wydania
2023
Oprawa
(twarda)
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Tytuł
Japanese Prints in Transition
Język
angielski
Rok wydania
2023
Oprawa
twarda
Liczba stron
168
ISBN10
1951836987
ISBN13
9781951836986
Seria
Ocena
4,5 z 5
Opis
Art curators Rhiannon Paget and Karin Breuer present a stunning introduction to the history of Japanese printmaking, featuring selections from the renowned Achenbach Foundation for Graphic Arts’ permanent exhibit with highlights from the de Young Museum’s vast collection.In 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations. Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e , or “floating world” images), also changed course during the Meiji era (1868–1912), as societal changes and the once-isolationist country’s new global engagement provided a wealth of new subjects for artists to capture.Japanese Prints in From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.Includes Color Photographs