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Game of Freedom

Ocena książki

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  • 48 stron
  • 2 godziny czytania

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A meia lua whooshed in the air, evaded with an aú as two young men played capoeira in the roda. Bimba wanted to join. The origins of capoeira—a blend of martial arts, dance, acrobatics, music, and spirituality—are debated, but by the early 20th century, it was uniquely Brazilian, primarily practiced by people of African descent. In 1890, shortly after Brazil abolished slavery, capoeira was outlawed, as the wealthy elite viewed it as a game for the "malandros," the marginalized Black communities they despised. However, in the early 1920s, Bimba emerged in Salvador, advocating for capoeira and its practitioners to be treated with dignity and respect. Duncan Tonatiuh’s lyrical prose and illustrations, inspired by pre-Columbian codices, tell the story of this remarkable capoeirista who transformed a misunderstood and persecuted Afro-Brazilian activity into a celebrated art form embraced by millions worldwide. In 2014, UNESCO recognized capoeira as an Intangible Cultural Heritage of Humanity, highlighting its role in promoting social integration and commemorating the struggle against historical oppression. This work is a stirring celebration of solidarity and resistance through art.

Zakup książki

Game of Freedom, Duncan Tonatiuh

Język
Rok wydania
2023
Oprawa
(twarda)
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Metody płatności

3,9
Bardzo dobra
21 Ocena

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Tytuł
Game of Freedom
Język
angielski
Wydawca
Abrams
Rok wydania
2023
Oprawa
twarda
Liczba stron
48
ISBN10
1419764586
ISBN13
9781419764585
Seria
Tagi
Ocena
3,85 z 5
Opis
A meia lua whooshed in the air, evaded with an aú as two young men played capoeira in the roda. Bimba wanted to join. The origins of capoeira—a blend of martial arts, dance, acrobatics, music, and spirituality—are debated, but by the early 20th century, it was uniquely Brazilian, primarily practiced by people of African descent. In 1890, shortly after Brazil abolished slavery, capoeira was outlawed, as the wealthy elite viewed it as a game for the "malandros," the marginalized Black communities they despised. However, in the early 1920s, Bimba emerged in Salvador, advocating for capoeira and its practitioners to be treated with dignity and respect. Duncan Tonatiuh’s lyrical prose and illustrations, inspired by pre-Columbian codices, tell the story of this remarkable capoeirista who transformed a misunderstood and persecuted Afro-Brazilian activity into a celebrated art form embraced by millions worldwide. In 2014, UNESCO recognized capoeira as an Intangible Cultural Heritage of Humanity, highlighting its role in promoting social integration and commemorating the struggle against historical oppression. This work is a stirring celebration of solidarity and resistance through art.