Bookbot

Alexander Calder: Modern from the Start

Autorzy

Ocena książki

Parametry

  • 144 strony
  • 6 godzin czytania

Więcej o książce

"Alexander Calder's work first appeared in The Museum of Modern Art's galleries in 1930, in the exhibition Painting and Sculpture by Living Americans. Over the next decades the artist's connection with the Museum would be deep, productive, and mutually beneficial. Calder cultivated friendships and working relationships with notable figures, including Alfred H. Barr Jr., the Museum's founding director, and James Johnson Sweeney, with whom he collaborated on his expansive retrospective exhibition in 1943. His work is imprinted on MoMA's early history, not only for its material and conceptual innovation but also for its presence at significant moments, such as a mobile made to hang over the lobby's grand staircase on the occasion of the new Goodwin and Stone building (Lobster Trap and Fish Tail, which hangs there to this day); an elaborate candelabra to adorn the tables at a celebratory anniversary event; and a sculpture to fly off a flagpole to advertise the landmark exhibition Cubism and Abstract Art."--Provided by publisher

Zakup książki

Alexander Calder: Modern from the Start, Cara Manes

Język
Rok wydania
2021
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,0
Bardzo dobra
7 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Alexander Calder: Modern from the Start
Język
angielski
Autorzy
Cara Manes
Rok wydania
2021
Oprawa
twarda
Liczba stron
144
ISBN10
163345116X
ISBN13
9781633451162
Seria
Tagi
Sztuka
Ocena
4 z 5
Opis
"Alexander Calder's work first appeared in The Museum of Modern Art's galleries in 1930, in the exhibition Painting and Sculpture by Living Americans. Over the next decades the artist's connection with the Museum would be deep, productive, and mutually beneficial. Calder cultivated friendships and working relationships with notable figures, including Alfred H. Barr Jr., the Museum's founding director, and James Johnson Sweeney, with whom he collaborated on his expansive retrospective exhibition in 1943. His work is imprinted on MoMA's early history, not only for its material and conceptual innovation but also for its presence at significant moments, such as a mobile made to hang over the lobby's grand staircase on the occasion of the new Goodwin and Stone building (Lobster Trap and Fish Tail, which hangs there to this day); an elaborate candelabra to adorn the tables at a celebratory anniversary event; and a sculpture to fly off a flagpole to advertise the landmark exhibition Cubism and Abstract Art."--Provided by publisher