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Mechanisms of Power. The Spanish artist Cristina Lucas (b. Jaén, 1973; lives and works in Madrid) works in a wide range of media and genres. Central concerns include the confrontation of subjective and political historiographies and a critical examination of cultural stereotypes. The publication's point of departure is the multichannel video installation Unending Lightning, begun in 2013, in which Lucas undertakes a painstaking study of the history of aerial warfare. The book also showcases works that limn a contemporary perspective on value chains and the capitalization of time and landscape. Moreover, the artist has developed a corpus of critical cartographic models that offer algorithmic, philosophical, poetic, or, in some instances, humorous visualizations of unexpected nexuses. The first German-language publication on Cristina Lucas's art, it offers a comprehensive survey of her oeuvre to date. Cristina Lucas studied fine arts at the University of California and the Universidad Complutense, Madrid.
Zakup książki
Cristina Lucas, Frédéric Bußmann
- Język
- Rok wydania
- 2021
- Oprawa
- (twarda)
Metody płatności
Nikt jeszcze nie ocenił.
- Tytuł
- Cristina Lucas
- Podtytuł
- Maschine im Stillstand - Immobile Engine
- Język
- angielski, niemiecki
- Autorzy
- Frédéric Bußmann
- Wydawca
- Dr. Cantz'sche Verlagsges
- Rok wydania
- 2021
- Oprawa
- twarda
- Liczba stron
- 144
- ISBN10
- 3969120535
- ISBN13
- 9783969120538
- Seria
- Tagi
- Architektura
- Opis
- Mechanisms of Power. The Spanish artist Cristina Lucas (b. Jaén, 1973; lives and works in Madrid) works in a wide range of media and genres. Central concerns include the confrontation of subjective and political historiographies and a critical examination of cultural stereotypes. The publication's point of departure is the multichannel video installation Unending Lightning, begun in 2013, in which Lucas undertakes a painstaking study of the history of aerial warfare. The book also showcases works that limn a contemporary perspective on value chains and the capitalization of time and landscape. Moreover, the artist has developed a corpus of critical cartographic models that offer algorithmic, philosophical, poetic, or, in some instances, humorous visualizations of unexpected nexuses. The first German-language publication on Cristina Lucas's art, it offers a comprehensive survey of her oeuvre to date. Cristina Lucas studied fine arts at the University of California and the Universidad Complutense, Madrid.