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Ludwig Wittgenstein. Fotografie als analytische Praxis

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  • 304 strony
  • 11 godzin czytania

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The first ever examination of Wittgenstein as collector, author and arranger of photographsMore than any other modernist philosopher, Ludwig Wittgenstein (1889-1951) maintained a notably unusual relationship to photography. From an early age he took a particular liking to the medium and returned to it often, as both a practitioner and a collector. The first volume to appraise his relationship to photography, this book presents his famous and only partially published photo album from the 1930s; photographs of the house for Margarete Stonborough-Wittgenstein that he designed with Paul Engelmann; the composite portrait of the Wittgenstein siblings; excerpts from Wittgenstein's various photo booth pictures and famously staged self-portraits; excerpts from his "Nonsense Collection"; his serial photographic documentations of places and people; and a selection of his picture-postcard correspondences with family and friends.

Zakup książki

Ludwig Wittgenstein. Fotografie als analytische Praxis, Verena Gamper

Język
Rok wydania
2021
Oprawa
(twarda)
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Tytuł
Ludwig Wittgenstein. Fotografie als analytische Praxis
Język
angielski, niemiecki
Rok wydania
2021
Oprawa
twarda
Liczba stron
304
ISBN10
3753300497
ISBN13
9783753300498
Seria
Tagi
Opis
The first ever examination of Wittgenstein as collector, author and arranger of photographsMore than any other modernist philosopher, Ludwig Wittgenstein (1889-1951) maintained a notably unusual relationship to photography. From an early age he took a particular liking to the medium and returned to it often, as both a practitioner and a collector. The first volume to appraise his relationship to photography, this book presents his famous and only partially published photo album from the 1930s; photographs of the house for Margarete Stonborough-Wittgenstein that he designed with Paul Engelmann; the composite portrait of the Wittgenstein siblings; excerpts from Wittgenstein's various photo booth pictures and famously staged self-portraits; excerpts from his "Nonsense Collection"; his serial photographic documentations of places and people; and a selection of his picture-postcard correspondences with family and friends.