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David Wojnarowicz: In the Shadow of Forward Motion

Autorzy

  • kolektiv

Ocena książki

Parametry

  • 54 strony
  • 2 godziny czytania

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David Wojnarowicz's 'In the Shadow of Forward Motion' was originally published in 1989 as a limited-run zine/catalog to accompany an exhibition by the artist at P.P.O.W gallery. Despite its meager print run of just 50 copies, the publication has garnered a legendary status, and for good reason. In it we find Wojnarowicz's writing and visual art--two mediums for which the artist is renowned--sitting side by side for the first time, playing off each other in equal measure. We glimpse the artist's now-iconic mixed media works, with motifs of ants, locomotives, money, tornadoes, and dinosaurs, juxtaposed with journal entries and other texts that examine historical and global mechanisms of power symbolized through the technology of their times. Wojnarowicz uses the fractured experience of his day-to-day life (including dreams, which he recorded fastidiously) to expose these technologies as weapons of class, cultural, and racial oppression. The artist's experience living with HIV is a constant subject of the work, used to shed light on the political and social structures perpetuating discrimination against not only himself, but against women and people of color, who faced additional barriers in their efforts to receive treatment for the illness. Rooted in the maelstrom of 1980s art, politics, religion and civil rights, the book provides a startling glimpse into an American culture that we have not yet left behind

Zakup książki

David Wojnarowicz: In the Shadow of Forward Motion, kolektiv

Język
Rok wydania
2020
Oprawa
(miękka)
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Metody płatności

4,6
Doskonała
30 Ocena

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Tytuł
David Wojnarowicz: In the Shadow of Forward Motion
Język
angielski
Autorzy
kolektiv
Rok wydania
2020
Oprawa
miękka
Liczba stron
54
ISBN10
1732098689
ISBN13
9781732098688
Seria
Ocena
4,6 z 5
Opis
David Wojnarowicz's 'In the Shadow of Forward Motion' was originally published in 1989 as a limited-run zine/catalog to accompany an exhibition by the artist at P.P.O.W gallery. Despite its meager print run of just 50 copies, the publication has garnered a legendary status, and for good reason. In it we find Wojnarowicz's writing and visual art--two mediums for which the artist is renowned--sitting side by side for the first time, playing off each other in equal measure. We glimpse the artist's now-iconic mixed media works, with motifs of ants, locomotives, money, tornadoes, and dinosaurs, juxtaposed with journal entries and other texts that examine historical and global mechanisms of power symbolized through the technology of their times. Wojnarowicz uses the fractured experience of his day-to-day life (including dreams, which he recorded fastidiously) to expose these technologies as weapons of class, cultural, and racial oppression. The artist's experience living with HIV is a constant subject of the work, used to shed light on the political and social structures perpetuating discrimination against not only himself, but against women and people of color, who faced additional barriers in their efforts to receive treatment for the illness. Rooted in the maelstrom of 1980s art, politics, religion and civil rights, the book provides a startling glimpse into an American culture that we have not yet left behind