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Ellsworth Kelly - Line Shape Colour / Ligne Forme Couleur

Autorzy

  • kolektiv

Parametry

  • 128 stron
  • 5 godzin czytania

Więcej o książce

This catalog accompanies an exhibition of works by Ellsworth Kelly (1923–2015) at the Lambert Collection in Avignon, focusing on 54 prints donated to the French National Art History Institute by Kelly’s partner, Jack Shear, in addition to previously unexhibited paintings, artist’s books, drawings, and collages. The collection shows how, throughout his career, Kelly experimented with the possibilities that printed images offer, from his first lithographs produced in Paris in 1949 to his monumental works on paper of the 2000s. Color reveals unknown aspects of the artist's work, in particular a series of abstract color lithographs and images of planets produced in Paris in the mid-1960s. Also featured are Kelly’s series of variations from 1988 in which he uses his own face or the faces of friends as a motif.

Zakup książki

Ellsworth Kelly - Line Shape Colour / Ligne Forme Couleur, kolektiv

Język
Rok wydania
2019
Oprawa
(twarda)
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Tytuł
Ellsworth Kelly - Line Shape Colour / Ligne Forme Couleur
Język
angielski
Autorzy
kolektiv
Wydawca
Actes sud
Rok wydania
2019
Oprawa
twarda
Liczba stron
128
ISBN10
2330113242
ISBN13
9782330113247
Seria
Opis
This catalog accompanies an exhibition of works by Ellsworth Kelly (1923–2015) at the Lambert Collection in Avignon, focusing on 54 prints donated to the French National Art History Institute by Kelly’s partner, Jack Shear, in addition to previously unexhibited paintings, artist’s books, drawings, and collages. The collection shows how, throughout his career, Kelly experimented with the possibilities that printed images offer, from his first lithographs produced in Paris in 1949 to his monumental works on paper of the 2000s. Color reveals unknown aspects of the artist's work, in particular a series of abstract color lithographs and images of planets produced in Paris in the mid-1960s. Also featured are Kelly’s series of variations from 1988 in which he uses his own face or the faces of friends as a motif.