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Czech Plays. Modern Czech Drama

Autorzy

  • kolektiv

Ocena książki

Parametry

  • 256 stron
  • 9 godzin czytania

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With the emergence of a dissident playwright as the President of Czechoslovakia in 1989, the Czech tradition by which theatre mirrors political life came full circle. Ranging back over the three decades preceding the Velvet Revolution, these four plays show modern Czech writers skilfully commenting on current realities through historical and domestic themes. Published here for the first time in English, Vaclav Havel's Tomorrow!, written anonymously in 1988, is a historical comedy about the founding of the Czechoslovak Republic. Games by novelist Ivan Klima shows a house party going badly wrong as old guilts break the surface. In Joseph Topol's Cat on the Rails two lovers wait for a train that never comes. And Dog and Wolf by the leading woman playwright Daniela Fischerova takes Francois Villon as exemplar of the clash between artist and society.

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Czech Plays. Modern Czech Drama, kolektiv

Język
Rok wydania
1994
Oprawa
(miękka)
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4,0
Bardzo dobra
1 Ocena

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Tytuł
Czech Plays. Modern Czech Drama
Język
angielski
Autorzy
kolektiv
Rok wydania
1994
Oprawa
miękka
Liczba stron
256
ISBN10
185459074X
ISBN13
9781854590749
Seria
Tagi
Teatr
Ocena
4 z 5
Opis
With the emergence of a dissident playwright as the President of Czechoslovakia in 1989, the Czech tradition by which theatre mirrors political life came full circle. Ranging back over the three decades preceding the Velvet Revolution, these four plays show modern Czech writers skilfully commenting on current realities through historical and domestic themes. Published here for the first time in English, Vaclav Havel's Tomorrow!, written anonymously in 1988, is a historical comedy about the founding of the Czechoslovak Republic. Games by novelist Ivan Klima shows a house party going badly wrong as old guilts break the surface. In Joseph Topol's Cat on the Rails two lovers wait for a train that never comes. And Dog and Wolf by the leading woman playwright Daniela Fischerova takes Francois Villon as exemplar of the clash between artist and society.