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The Big Book of Rogues and Villains

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  • 911 stron
  • 32 godziny czytania

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Mystery fiction includes a wide array of sub-genres, yet many casual fans often view the detective story as the sole representation of the genre. A mystery is defined as any prose fiction where a crime or the threat of crime is central to the plot. The detective story may occupy a specific range, while crime stories featuring criminals expand this range further. Novels of suspense, which involve jeopardy, psychological unease, and irrational behavior, extend even further, and espionage narratives cross the ultimate goal-line. Various sub-sub genres exist, like historical mysteries and police procedurals, which often overlap, creating suspense and blurring lines between detectives and criminals. Traditionally, anthologies have focused on detectives, but this collection shifts the focus to criminals, categorizing them into rogues and villains. Roguery is characterized by humor and non-violent mischief, while villainy embodies malice and extreme wrongdoing, typically murder. Although the distinction between the two can be clear, it often depends on perspective. Rogues engage in theft and deception without causing serious harm, using cleverness to achieve their goals. In contrast, villains commit murder, often without justification. This exploration reveals the complexity of moral judgment in crime, where motivations and societal views can shape perceptions of right and wrong.

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The Big Book of Rogues and Villains, Otto Penzler

Język
Rok wydania
2017
Oprawa
(miękka)
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3,8
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85 Ocena

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Tytuł
The Big Book of Rogues and Villains
Język
angielski
Rok wydania
2017
Oprawa
miękka
Liczba stron
911
ISBN10
0525432485
ISBN13
9780525432487
Seria
Ocena
3,75 z 5
Opis
Mystery fiction includes a wide array of sub-genres, yet many casual fans often view the detective story as the sole representation of the genre. A mystery is defined as any prose fiction where a crime or the threat of crime is central to the plot. The detective story may occupy a specific range, while crime stories featuring criminals expand this range further. Novels of suspense, which involve jeopardy, psychological unease, and irrational behavior, extend even further, and espionage narratives cross the ultimate goal-line. Various sub-sub genres exist, like historical mysteries and police procedurals, which often overlap, creating suspense and blurring lines between detectives and criminals. Traditionally, anthologies have focused on detectives, but this collection shifts the focus to criminals, categorizing them into rogues and villains. Roguery is characterized by humor and non-violent mischief, while villainy embodies malice and extreme wrongdoing, typically murder. Although the distinction between the two can be clear, it often depends on perspective. Rogues engage in theft and deception without causing serious harm, using cleverness to achieve their goals. In contrast, villains commit murder, often without justification. This exploration reveals the complexity of moral judgment in crime, where motivations and societal views can shape perceptions of right and wrong.