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Reading Rembrandt : Beyond the Word Image Opposition

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  • 512 stron
  • 18 godzin czytania

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Reading Rembrandt: Beyond the Word Image Opposition explores the potential for interdisciplinary methodology between literature and visual art. In a series of close analyses of works by Rembrandt works whose attribution is still challenged, but can still be considered within the context of this study-and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting. Although Reading Rembrandt's methods originate outside the history of art, it demonstrates nonetheless the author's sensitivity to the visual aspect of Rembrandt's work. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture emerges, which ultimately has consequences for our views of gender, the artist, and the act of reading.

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Reading Rembrandt : Beyond the Word Image Opposition, Mieke Bal

Język
Rok wydania
1991
Oprawa
(miękka)
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Tytuł
Reading Rembrandt : Beyond the Word Image Opposition
Język
angielski
Autorzy
Mieke Bal
Rok wydania
1991
Oprawa
miękka
Liczba stron
512
ISBN10
0521466644
ISBN13
9780521466646
Seria
Ocena
4 z 5
Opis
Reading Rembrandt: Beyond the Word Image Opposition explores the potential for interdisciplinary methodology between literature and visual art. In a series of close analyses of works by Rembrandt works whose attribution is still challenged, but can still be considered within the context of this study-and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting. Although Reading Rembrandt's methods originate outside the history of art, it demonstrates nonetheless the author's sensitivity to the visual aspect of Rembrandt's work. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture emerges, which ultimately has consequences for our views of gender, the artist, and the act of reading.