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Street Art Norway Vol. Ii

Autorzy

  • kolektiv

Ocena książki

Parametry

  • 160 stron
  • 6 godzin czytania

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With artists like Dolk, Pa, bel, DotDotDot and Martin Whatson receiving much international attention in recent years, the Norwegian Street Art scene has gone from an anonymous existence to gaining international recognition. With the release of Street Art Norway vol. II we want to communicate this development to a wider audience. Urban Street Art is an art form that reflects society at the time the art work was created. It can be a comment on something in the media, current events, or it can be the artist's own personal statement. In Street Art the motive is important, but also the message -- often a reaction or a counter-reaction to current affairs, that the artist wants to communicate to the public. And Street Art is easily understood because of its simple visualization. In the aftermath of July 22nd 2011, Street Art artists reacted in their own way to the horrendous acts carried out that day. In Oslo there were many different "Oslo paintings" and messages of support, and all around Norway artists put up stencils in memory of those who were taken away. It was also a way for the artists themselves to mourn.

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Street Art Norway Vol. Ii, kolektiv

Język
Rok wydania
2016
Oprawa
(miękka)
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Tytuł
Street Art Norway Vol. Ii
Język
angielski
Autorzy
kolektiv
Rok wydania
2016
Oprawa
miękka
Liczba stron
160
ISBN10
8293053305
ISBN13
9788293053309
Seria
Ocena
4,35 z 5
Opis
With artists like Dolk, Pa, bel, DotDotDot and Martin Whatson receiving much international attention in recent years, the Norwegian Street Art scene has gone from an anonymous existence to gaining international recognition. With the release of Street Art Norway vol. II we want to communicate this development to a wider audience. Urban Street Art is an art form that reflects society at the time the art work was created. It can be a comment on something in the media, current events, or it can be the artist's own personal statement. In Street Art the motive is important, but also the message -- often a reaction or a counter-reaction to current affairs, that the artist wants to communicate to the public. And Street Art is easily understood because of its simple visualization. In the aftermath of July 22nd 2011, Street Art artists reacted in their own way to the horrendous acts carried out that day. In Oslo there were many different "Oslo paintings" and messages of support, and all around Norway artists put up stencils in memory of those who were taken away. It was also a way for the artists themselves to mourn.