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Testimony

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  • 592 strony
  • 21 godzin czytania

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A major work by an essential American poet, published in full for the first time. Available again for the first time since 1978-and complete in one volume for the first time ever-Charles Reznikoff'sTestimonyis a lost masterpiece, a leg- endary book that stands alongside Louis Zukofsky's "A" and William Carlos Williams'sPatersonas a milestone of modern American poetry. Taking as its raw material the voices of witnesses, victims, and perpetrators discovered by the author in criminal court transcripts, Reznikoff's book sets forth a stark panorama of late- 19th- and early 20th-century America-the underside of the Gilded Age, beset by racism and casual violence, poverty and disease-in a radically stripped-down lan- guage of almost unbearable intensity. This edition also includes Reznikoff 's prose studies for the poem, unavailable to readers since the 1930s, and a new introduction by essayist Eliot Weinberger.

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Testimony, Charles Reznikoff

Język
Rok wydania
2015
Oprawa
(miękka)
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Tytuł
Testimony
Język
angielski
Rok wydania
2015
Oprawa
miękka
Liczba stron
592
ISBN10
1567925316
ISBN13
9781567925319
Seria
Kategorie
Ocena
4,7 z 5
Opis
A major work by an essential American poet, published in full for the first time. Available again for the first time since 1978-and complete in one volume for the first time ever-Charles Reznikoff'sTestimonyis a lost masterpiece, a leg- endary book that stands alongside Louis Zukofsky's "A" and William Carlos Williams'sPatersonas a milestone of modern American poetry. Taking as its raw material the voices of witnesses, victims, and perpetrators discovered by the author in criminal court transcripts, Reznikoff's book sets forth a stark panorama of late- 19th- and early 20th-century America-the underside of the Gilded Age, beset by racism and casual violence, poverty and disease-in a radically stripped-down lan- guage of almost unbearable intensity. This edition also includes Reznikoff 's prose studies for the poem, unavailable to readers since the 1930s, and a new introduction by essayist Eliot Weinberger.