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The Documentary Film Book

Ocena książki

Parametry

  • 400 stron
  • 14 godzin czytania

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This major new collection of essays provides a broad and thorough introduction to the history and nature of documentary cinema and addresses key contemporary debates within the field.Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

Zakup książki

The Documentary Film Book, Brian Winston

Język
Rok wydania
2015
Oprawa
(miękka)
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4,4
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Tytuł
The Documentary Film Book
Język
angielski
Wydawca
BFI
Rok wydania
2015
Oprawa
miękka
Liczba stron
400
ISBN10
1844573419
ISBN13
9781844573417
Seria
Ocena
4,35 z 5
Opis
This major new collection of essays provides a broad and thorough introduction to the history and nature of documentary cinema and addresses key contemporary debates within the field.Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.