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Theaster Gates. Black Chapel

Ausst. Kat. Haus der Kunst München, 2019-2020

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  • 176 stron
  • 7 godzin czytania

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Theaster Gates confronts German and American legacies of racism through the life of Jesse Owens Guided by the forms of solidarity found within Black communities, American artist Theaster Gates (born 1973) creates visionary installations that transform public spaces into places of artistic and cultural intervention. In Black Chapel , Gates explores recent German and American history through the life of the great African American athlete Jesse Owens. In this expansive exhibition, Gates responds directly to the architecture of Haus der Kunst’s massive Middle Hall, exposing it to a complex and politically charged narrative. Alongside Owens’ complete and fully illustrated record collection being made available for the first time, the exhibition consists of several large pavilions containing sculptures, photographs and documents, as well as huge illuminated rotating panels displaying photographs from the archives of Ebony and Jet , two magazines that contributed significantly to the dissemination of Black culture in the United States. This interplay of sculpture and photography interrogates Black history, spirituality and representation, and recasts them visually.

Zakup książki

Theaster Gates. Black Chapel, Anna Schneider

Język
Rok wydania
2021
Oprawa
(miękka)
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Tytuł
Theaster Gates. Black Chapel
Podtytuł
Ausst. Kat. Haus der Kunst München, 2019-2020
Język
angielski, niemiecki
Rok wydania
2021
Oprawa
miękka
Liczba stron
176
ISBN10
3960988540
ISBN13
9783960988540
Seria
Ocena
4 z 5
Opis
Theaster Gates confronts German and American legacies of racism through the life of Jesse Owens Guided by the forms of solidarity found within Black communities, American artist Theaster Gates (born 1973) creates visionary installations that transform public spaces into places of artistic and cultural intervention. In Black Chapel , Gates explores recent German and American history through the life of the great African American athlete Jesse Owens. In this expansive exhibition, Gates responds directly to the architecture of Haus der Kunst’s massive Middle Hall, exposing it to a complex and politically charged narrative. Alongside Owens’ complete and fully illustrated record collection being made available for the first time, the exhibition consists of several large pavilions containing sculptures, photographs and documents, as well as huge illuminated rotating panels displaying photographs from the archives of Ebony and Jet , two magazines that contributed significantly to the dissemination of Black culture in the United States. This interplay of sculpture and photography interrogates Black history, spirituality and representation, and recasts them visually.