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Stefan Panhans / Andrea Winkler: The Pow(d)er of I Am Klick Klick Klick Klick and a very very bad bad musical!

HMKV Ausstellungsmagazin 2021/2

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  • 160 stron
  • 6 godzin czytania

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The title of the catalog of works by the artist duo Stefan Panhans (Germany) and Andrea Winkler (Switzerland) is a nod to the rhetoric used by evangelical megachurches in the United States that preach a market-oriented, neoliberal ideology of individual self-optimization under the guise of Christian pastoral care. The artists’ works touch on electric SUVs, communication with forms of artificial intelligence, racism in everyday life, celebrity cults, stereotypes, computer games, the “uncanny valley,” and other post-digital feedback loops between humans and virtual worlds, but also on the precarious condition of cultural sector workers. Panhans and Winkler are masters at using a broad spectrum of artistic genres and media, such as novels, texts, performances, installations, miniseries, musicals, sculptures, objects, films, videos, and dance. Their video installations can be subsumed under what is known as “expanded cinema”: the displayed objects, which also appear in the videos, are presented in a way that allows the films to expand into the surrounding space, drawing viewers into the artwork. Text in English and German.

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Stefan Panhans / Andrea Winkler: The Pow(d)er of I Am Klick Klick Klick Klick and a very very bad bad musical!, Stefan Panhans

Język
Rok wydania
2021
Oprawa
(miękka)
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Tytuł
Stefan Panhans / Andrea Winkler: The Pow(d)er of I Am Klick Klick Klick Klick and a very very bad bad musical!
Podtytuł
HMKV Ausstellungsmagazin 2021/2
Język
angielski, niemiecki
Rok wydania
2021
Oprawa
miękka
Liczba stron
160
ISBN10
3862069087
ISBN13
9783862069088
Seria
Tagi
Opis
The title of the catalog of works by the artist duo Stefan Panhans (Germany) and Andrea Winkler (Switzerland) is a nod to the rhetoric used by evangelical megachurches in the United States that preach a market-oriented, neoliberal ideology of individual self-optimization under the guise of Christian pastoral care. The artists’ works touch on electric SUVs, communication with forms of artificial intelligence, racism in everyday life, celebrity cults, stereotypes, computer games, the “uncanny valley,” and other post-digital feedback loops between humans and virtual worlds, but also on the precarious condition of cultural sector workers. Panhans and Winkler are masters at using a broad spectrum of artistic genres and media, such as novels, texts, performances, installations, miniseries, musicals, sculptures, objects, films, videos, and dance. Their video installations can be subsumed under what is known as “expanded cinema”: the displayed objects, which also appear in the videos, are presented in a way that allows the films to expand into the surrounding space, drawing viewers into the artwork. Text in English and German.